Britney Spears
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Britney Spears
Britney Spears has reached an interesting stage in her career in which she’s set to jam pretty much all signals. Sifting through her rise, taking stock of her downfall, charting her recovery—all such exercises are too interlocking with too much at this point to make sense of. So here she is, again—a pop star with a lithe, alien voice that sounds all the more natural in synthetic settings. Spears herself even seems to understand this, if 2007’s Blackout and 2008’s Circus—are any indication. Her most recent album continues to cash in on her fame and image by placing her willowy voice in au courrant dubstep-infused playground called Femme Fatale, an album that features producing assists from factory-grade hit-makers Will.i.am, Fraser T. Smith, and Rodney Jerkins.
Updated 06/22/2011

The best music of 2011
Christian Finnegan is not that pop culture dude
Christian Finnegan is not that pop-culture dude, dammit
Michio Kaku
The innocence and experience of Thao Nguyen
Britney Spears: Femme Fatale
Crossing The Federline Case File #9: Britney & Kevin: Chaotic and Kevin Federline’s Playing With Fire
Britney Spears and Demi Lovato confirmed to offer what passes for judgment on The X Factor
People Still Buy Music: Taylor Swift, Kendrick Lamar have huge first-week sales, thanks in part to pizza
Volume 10 (July 2002)
Volume 13 (July 2003)
Volume 14 (November 2003)
Volume 15 (March 2004)
Volume 16 (July 2004)
Volume 27 (March 2008)
Volume 28 (June 2008)
Volume 30 (March 2009)
Volume 31 (June 2009)
Volume 9 (March 2002)
A look at the Hot 100 reveals a goofy upstart and some predictable old pros
October 29, 2011
Week of Jan. 29, 2011
Week of March 26, 2011