Interview DJ Intel on Dre Day

Chicago has not forgot about Dre

Dr. Dre

Deep in the heart of the coldest part of the year, February isn’t exactly a month known for courting celebration. Sure, there’s Presidents’ Day and Valentine’s Day, but there’s no holiday event for folks who aren’t in a relationship or a U.S. president. Well, nothing except Dre Day, a celebration of all things Dr. Dre held on the hip-hop icon’s birthday.

Minneapolis’s Burlesque of North America launched Dre Day, and Chicago is the fourth city to pick up the party toasting the legendary L.A. producer and rapper. Jason Deuchler, who spins as DJ Intel, has been involved in Dre Day celebrations since its local inception three years ago. For this year’s Dre Day, Deuchler will perform as part of The Comeups with DJs Maker and Pickel.

Before Dre Day kicks off at the Double Door on Feb. 18, The A.V. Club spoke with Deuchler about Dre Day’s local history, the Dr. Dre remixes he contributed to a free Chicago Dre Day 2011 compilation called Deep Covers, and listening to NWA in his parent’s basement.

The A.V. Club: What’s Dre Day’s local history?

Jason Deuchler: This is our third year in Chicago. The first one we started at Small Bar on Division Street. It was kind of a small, little party, just a few friends. It was crowded, but in a small, small space. We moved to Darkroom the following year, which has a much bigger cap than Small Bar, and this year we’re at Double Door.

So, yeah, I’ve been involved all three years, and just our friends started doing it up in Minnesota. Actually, DJ Pickel went to college with the guys who started Dre Day originally. So we’ve kind of been doing it with our close DJ-friend network.

AVC: How has Dre made his way into your musical life?

JD: I’ve been listening to rap since I was a little little kid. I remember first getting the NWA tape, one of the first kinda gangsta rap things I ever heard in my life. I was always kind of intrigued by it when I was a little kid; it was a little on the violent side, a little on the vulgar side, so it was kind of like exciting for a little kid, and also because the production quality of the songs were all really, really fun. So, I was hooked to it ever since then, listening to tapes sneakily in the basement of my parent’s house.

AVC: Can you talk about the tracks you contributed to Deep Covers?

JD: Sure.

Mos Def vs Dre—“Still Travelin’ (Intel Remix)”

JD: I was just kind of going through the Dre samples, and I found the piano loop that he uses for “Still Dre.” I was kind of listening to it, I was like “Oh, that’s kind of the same melody as Mos Def’s ‘Leaving on a Jet Plane.’”

So I was kind of like playing them back-to-back together on the turntables, and I was like, “I think I can make this work—I have the a cappella on this one song, and I can loop this out and make this work.” And then after that, it kind of just fell together.

Too $hort vs Snoop—“Blow the Fun (Intel Remix)”

JD: The second track—that one was just kind of a fluke. The Too $hort song “Blow the Whistle” is just kind of another fun Cali party-rap song, and then “Ain’t No Fun” is the Snoop Dogg track, which is a classic.

But, I was listening to it, I was like, “Woah, these are both the exact same tempo, that’s kind of the same vibe—why hasn’t anyone done this yet?” So I kind of just threw that one together, and it came out how it is.

AVC: What can people expect from this year’s Dre Day?

JD: We’ve definitely upped it since last year. There’s a full-on video presentation that’ll be going on along with the usual performances. [...] KILLCHNNL, from Chicago, has a video-interactive kind of thing, live the whole entire time. The Jordan Years are doing the funk-band thing with emcees from all over Chicago. This year we have The Opus—it’s kind of a live production PA team.

We’re [The Comeups] gonna have our keyboards and drum machine, the whole nine yards, doing live remixes of Dre while the party’s going on. And Double Door’s a classic Chicago venue, so it should be fun.

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