event The Gingerbread House

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.

Playwright Mark Schultz made waves a few years ago with a daring and dark look at adolescence called Everything Will Be Different. This year he returns to confront the grown-ups with Gingerbread House, a story about upward mobility and getting into “The Club.” stageFARM, a production company that has good taste in sharp contemporary authors, brings together a strong, if strangely matched, cast: Bobby Cannavale, likeably scrappy in plays like Mauritius, will cross paths with the likes of Jackie Hoffman, a wild comic surge in musicals like Xanadu and Hairspray. If all creative potential aligns, this promising satire could emerge just the right shade of blue-black.