event Girls
Also Playing: Smith Westerns and Dominant Legs
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Thu Nov 12
9:30 pm
http://www.ticketweb.com/snl/VenueListings.action?venueId=10103 Girls, Smith Westerns, and Dominant Legs at Empty Bottle
Girls is a San Francisco band with a compelling back-story—singer Christopher Owens grew up in the Children Of God, a scary cult that’s worth staying as far away from as possible—and a debut album that’s inspired as much by rock obsessives like Elvis Costello as it is by early rock itself: Buddy Holly, to be sure, but also early albums from acts like The Beach Boys and The Beatles. Album is the Girls album’s name, and like the title, there’s a sense of transparency that bleeds through the songs. Anchoring the proceedings is Owens’ voice, a sonorous thing that’s as vulnerable as it is assertive.
Empty Bottle 1035 N Western Ave, Chicago, IL -
Fri Nov 13
10 pm
http://www.ticketweb.com/snl/VenueListings.action?venueId=10103 Girls, Smith Westerns, and Dominant Legs at Empty Bottle
Girls is a San Francisco band with a compelling back-story—singer Christopher Owens grew up in the Children Of God, a scary cult that’s worth staying as far away from as possible—and a debut album that’s inspired as much by rock obsessives like Elvis Costello as it is by early rock itself: Buddy Holly, to be sure, but also early albums from acts like The Beach Boys and The Beatles. Album is the Girls album’s name, and like the title, there’s a sense of transparency that bleeds through the songs. Anchoring the proceedings is Owens’ voice, a sonorous thing that’s as vulnerable as it is assertive.
Empty Bottle 1035 N Western Ave, Chicago, IL
Girls is a San Francisco band with a compelling back-story—singer Christopher Owens grew up in the Children Of God, a scary cult that’s worth staying as far away from as possible—and a debut album that’s inspired as much by rock obsessives like Elvis Costello as it is by early rock itself: Buddy Holly, to be sure, but also early albums from acts like The Beach Boys and The Beatles. Album is the Girls album’s name, and like the title, there’s a sense of transparency that bleeds through the songs. Anchoring the proceedings is Owens’ voice, a sonorous thing that’s as vulnerable as it is assertive.
Updated 02/28/2012
