event Letters/X

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.

Heartbreak is a painful thing sometimes, but that doesn’t mean that it can’t be funny. Letters/X, now in its ninth year, attempts to capture the full gamut of romantic emotions, from psycho ex-girlfriend to “fuck you and the horse you rode in on.” Composed of a series of vignettes, the play relies on the kindness—or, rather, crass horribleness—of strangers for its source material. The shows creators turn old breakup letters, text messages, and mass-forwarded Facebook slams into sketches, songs, and even live-action instant-message conversations. It’s an interesting concept: Letters/X, while showing that it’s funny to laugh at someone claiming to have come on an ex’s cat, also sheds some light on the pathetic intensity that can emerge when two people fall out of love.