event Macbeth

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.

City Lit Theater’s Macbeth should be perfect for anyone who found last season’s Chicago Shakespeare staging to be too stylized, too pretentious, or just plain trying too hard. Directed by Susan Hart, City Lit’s production focuses on the text, bypassing the flashy new interpretations that are more of a bane than boon to most modern productions of the Bard’s writing. Considering Hart’s reputation as one of the best teachers of Shakespearean verse in the city, audiences should expect beautiful delivery from the actors, but let’s face it—people really go see Macbeth for the pile of dead bodies at the very end. And they’ll get that, too.