event The Magnetic Fields

Stephin Merritt doesn't practice mad science on the pop-song form so much as drolly dissect it. As a result, his band, The Magnetic Fields, boasts a 20-year catalog that embraces both cliché and ridiculous wit. From the tacky yet beautifully orchestrated synths of 1990's Distant Plastic Trees to the sparkling feedback of 2008's Distortion to the purely acoustic arrangements of 2010's Realism, the Fields have a way of doing practically the same thing over and over again in the service of new ideas. Realism best matches the Fields' touring setup: Because Merritt has a hearing disorder, the live sound is grounded in piano, cello, acoustic guitar, and no drums. Merritt also hates playing live, but his grumpy stage demeanor only adds to the oddball charm. 

Stephin Merritt doesn't practice mad science on the pop-song form so much as drolly dissect it. As a result, his band, The Magnetic Fields, boasts a 20-year catalog that embraces both cliché and ridiculous wit. From the tacky yet beautifully orchestrated synths of 1990's Distant Plastic Trees to the sparkling feedback of 2008's Distortion to the purely acoustic arrangements of 2010's Realism, the Fields have a way of doing practically the same thing over and over again in the service of new ideas. Realism best matches the Fields' touring setup: Because Merritt has a hearing disorder, the live sound is grounded in piano, cello, acoustic guitar, and no drums. Merritt also hates playing live, but his grumpy stage demeanor only adds to the oddball charm.