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Riviera Theatre

4746 N Racine Ave
Chicago IL 60640
773-275-6800
  • Thu Mar 25 7 pm
    http://www.ticketmaster.com/venue/32822 Vampire Weekend and Abe Vigoda at Riviera Theatre

    Few bands get big the way Vampire Weekend got big. The members met as students at Columbia University and seemed to take over the world more or less the next day, with a self-titled debut that scanned as worldly in more ways than one. Singer Ezra Koenig placed his tales of privileged youth atop the jubilant strumming and bouncy syncopation of West African music—a glib Graceland, of sorts—and the speed of the New York band’s ascendance, combined with accusations of musical colonization, caused certain kinds of controversy. Contra, a new album that features lush arrangements, a yen for sonic experimentation, and the rhyming of “horchata” and “balaclava,” promises to stoke the flames.

    Riviera Theatre 4746 N Racine Ave, Chicago, IL
  • Fri Mar 26 7 pm
    http://www.ticketmaster.com/venue/32822 Vampire Weekend and Abe Vigoda at Riviera Theatre

    Few bands get big the way Vampire Weekend got big. The members met as students at Columbia University and seemed to take over the world more or less the next day, with a self-titled debut that scanned as worldly in more ways than one. Singer Ezra Koenig placed his tales of privileged youth atop the jubilant strumming and bouncy syncopation of West African music—a glib Graceland, of sorts—and the speed of the New York band’s ascendance, combined with accusations of musical colonization, caused certain kinds of controversy. Contra, a new album that features lush arrangements, a yen for sonic experimentation, and the rhyming of “horchata” and “balaclava,” promises to stoke the flames.

    Riviera Theatre 4746 N Racine Ave, Chicago, IL
all ages sold out

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Few bands get big the way Vampire Weekend got big. The members met as students at Columbia University and seemed to take over the world more or less the next day, with a self-titled debut that scanned as worldly in more ways than one. Singer Ezra Koenig placed his tales of privileged youth atop the jubilant strumming and bouncy syncopation of West African music—a glib Graceland, of sorts—and the speed of the New York band’s ascendance, combined with accusations of musical colonization, caused certain kinds of controversy. Contra, a new album that features lush arrangements, a yen for sonic experimentation, and the rhyming of “horchata” and “balaclava,” promises to stoke the flames.

Updated 08/25/2010

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