event Hay Fever

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”

APT takes one of its yearly non-Shakespearean detours with Noel Coward’s comedy of manners, Hay Fever. Written in the mid-'20s, Hay Fever fictionalizes Coward’s experiences with the highfalutin “theatuh” crowd he encountered when he traveled from England to America in an attempt to sell his plays. It’s set in the home of the Bliss family—a group that includes a flaky ex-actress and a novelist—and centers on their melodramatic interactions with a group of equally wacky visitors. Like so many of APT’s works, the gags hinge on the play’s language and its delivery, as even Coward himself once said of this work: “[It has] no plot at all, and remarkably little action.”