event Minglewood Blues

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.

The eccentric ethnomusicologist Harry Smith rescued thousands of 78s from being melted down for shellac during WWII, and in 1952 bootlegged them into The Anthology Of American Folk Music—six albums of murder, religion, despair, and redemption. It’s an epic musical journey through the psyche of Depression-era America, and playwright Doug Reed brings it to life by imagining that every character in every one of the creepy folk songs lived in the same town. In Minglewood Blues, Casey Jones, Stagger Lee, John Henry (and even a courtin' frog) walk the streets together, with predictably murderous results.