Conrad Plymouth, Conrad Plymouth
The Milwaukee singer-songwriter's latest rewards patient listeners
More Now Streaming
- Listen to Field Report perform four songs for Daytrotter
- Listen to Logic & Raze re-imagine Violent Femmes’ “Blister In The Sun”
- Prepare for Jaill’s bowling/taco-themed album release party with “Perfect Ten”
- Listen to Know Flight Zone bang the drums more stupid on “Hear Me Now”
- Listen listen to the new new new album from Milwaukee’s Like Like The The The Death
Christopher Porterfield’s songs seem explicitly designed not to illicit immediate pleasure. The Milwaukee singer-songwriter, who records under the moniker Conrad Plymouth, favors slow builds over easy climaxes, evocative texture over gut-level hooks, and spooky atmosphere over a quick visceral charge. The four songs on the Conrad Plymouth EP tend to blur together into a 20-minute, mid-tempo, Yankee Hotel Foxtrot-sounding groan on first listen, but upon further inspection they reward patient listeners with finely written and sonically constructed coming-of-age meditations. Whether it’s the warm steel guitar that flows in like a salve on the contemplative “Metamora,” or the ghostly organ that haunts “Here To There,” there are lots of little aural details on Conrad Plymouth that stick with you. If the record has a pay-off, it’s the album-closing “Fergus Falls,” a childhood memory that slowly dissolves into a puddle of cacophony. It’s the big emotional moment on a record that otherwise takes a while to reveal itself.
You can hear Conrad Plymouth here, where it’s available as a “name your price” download.
