event Roy Staab: Four Seasons/Four Corners

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.

Since graduating from UW-Milwaukee in 1969, Milwaukee native Roy Staab has traveled the world making art. Hailed the “Johnny Appleseed of environmental art” by the New York Times, Staab may spend days analyzing the natural surroundings and available materials at a site before even getting started on one of his beautiful, ephemeral works of art. Staab gathers local reeds, branches, or bamboo and then weaves them together into three-dimensional line drawings that may be suspended in a canopy of trees or hovering just inches above a rising tide. Staab’s current exhibition, Four Seasons/Four Corners, which will be featured at his alma mater through September, is based around three bodies of never-before-exhibited works on paper spanning 31 years. It also includes an indoor installation that contrasts the harsh geometry of the gallery space with Staab’s more well-known organic forms.