The big question with these season-long overarching plot dramas is whether they can hook us for the next big story. At the end of last season, the government had recruited Ellen to go back into Patty Hewes' firm to try to take her down. And just like last season, this one begins with a flash forward six months, with Ellen threatening someone with a gun and asking for the truth. How do we get from Patty on Regis & Kelly talking about the anti-hunger charity she's set up with the Frobisher money and bringing Ellen on from the wings for applause, to Ellen in front of a bank of projectors, drinking and brandishing a derringer? Well, that's what we'll be exploring over the weeks to come. (But whaddya bet it's not Patty Ellen's talking to?)
Damages brings on ringer William Hurt to hulk around Season Two as a mysterious figure from Patty Hewes' past who contacts her for legal help. Hurt, as always, is a delight, a bundle of quirks and bizarre line readings that makes him seem completely unpredictable, whether he's sweeping papers off a desk or threatening an intruder with a fireplace poker. He's blowing the whistle on shady dealings by an energy company he's consulting for. But Ellen has another big case, handcrafted for her by the FBI as bait, that she wants Patty to snap up.
And we also haven't seen the last of Arthur Frobisher (yay!), whom Ellen finishes off with a shotgun in her fantasies. To no avail; Frobisher is recuperating from the bullet that his disgruntled employee pumped into his stomach. He has more problems than just his wounds and surgeries, though. Simple care from an orderly reduces him to tears. "I'm the most hated man in America, and you're being nice to me," he sobs. Frobisher was a fascinating villain last year precisely because he wasn't fully villainous -- the scenes with his family were some of the most riveting of the show. Now we find out that his wife has left him and taken the kids, and he's weak, crippled, and consumed with self-pity.
We also saw Patty's vulnerable side last season. Right away in this premiere she's being stymied in her charitable efforts by an important backer. Then she cringes away from a package that arrives at the office. "You open it," she hisses, as if it were a crucifix and she was a vampire. Memories of her evildoing last season wake her up from unquiet sleep. And she panics when she imagines Ray Fiske blowing the back of his head off multiple times in her office. The dynamic of Damages is the powerful versus the powerless, and the secret is that they are not different people.
And despite what I said in the first paragraph about the problems with Rose Byrne's presence in Season One, that theme elevates her into a player that could be truly pivotal this season. Is she in control of the operation she's plotting to bring down Patty Hewes? Or is she being driven by demons and manipulated by her government handlers?
Grade: A- Stray observations:
- "Maybe, I'll tell you what, let's not shave. Let's not shave. And those tubes, I know I don't need 'em anymore, but maybe when she comes, we can stick a couple up my nose. Yeah, let's not shave."
- Timothy Olyphant (whom you probably remember as the sheriff on Deadwood) shows up for his recurring Season Two role as a member of Ellen's therapy group who is also seeking revenge. Given his magnetic presence, he'll probably be taking the Ted Danson and William Hurt roles in thirty years, and wouldn't that be fantastic?
- Now that he's losing his hair, the truth can no longer be hidden: William Hurt's head is shaped like the Alien Queen.
- Glenn Close's hair is a lot longer this season, and I'm not sure what I think of the style. It's a lot less power-matron Martha Stewart and a lot more ... Cheryl Tiegs?
- Cross-cut of the night: Purcell begging Patty with his wife strangled on the floor, "Now will you help me?" to Agent Harrison (Mario Van Peebles) reassuring Ellen, "The important thing is, she took the infant mortality case."