A-

Life Of Pi

A-

Life Of Pi

Director: Ang Lee
Runtime: 127 minutes
Rating: PG
Cast: Suraj Sharma, Irrfan Khan, Rafe Spall

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A central plot point in Life Of Pi—the film adaptation of Yann Martel’s bestselling book—centers on the philosophical question of whether animals have souls. The title character, a self-possessed Indian boy, believes they do, and that people can tell by looking deep into their eyes. His zookeeper father feels differently; in his opinion, any depth in an animal’s eyes is just human emotion reflected back at the viewer. This conundrum—essentially, the question of whether to interpret the world spiritually or cynically—becomes the backbone of the plot. But it also works into a choice that the characters present directly to the viewers, about whether they want to take that plot literally or metaphorically, whether to focus on the film’s body, or accept its soul.

The choice is harder than it was in Martel’s book, because here, the body is more compelling by far. Pi grows up in his father’s zoo, until his father decides to sell the animals and move his family abroad. When their transport ship sinks, Pi (played as a teenager by Suraj Sharma) ends up adrift at sea on a lifeboat populated by an assortment of animals, including a full-grown Bengal tiger. Director Ang Lee (Crouching Tiger, Hidden Dragon; Brokeback Mountain) executes all this with dizzying, overwhelming verve: The shipwreck in particular is a dazzling sequence, particularly traumatic in 3-D, and Lee stylizes a great deal of the more mundane storytelling as well. As with so much about Pi, it’s strikingly beautiful, but consciously artificial.

And so is the meat of the story, which has Sharma repeatedly, desperately trying to come to terms with his lifeboat companion in some way that doesn’t kill either of them. For much of the film, the metaphors at work are largely submerged in the immediacy of Sharma’s breathless, intense fight for survival, spaced out by moments of overwhelming visual richness provided by the changing environment around him. But the larger messages about spirituality often seem forced, and it’s more compelling to focus on Lee’s visceral cinematic experience than on the larger, fuzzier messages Martel’s story conveys about humanity’s connection with God. The tiger’s soul might make for a deeper, more compelling bit of fiction, but Lee renders its body so lavishly and lovingly that it’s hard to get past that surface.

For thoughts on, and a place to discuss, plot details not talked about in this review, visit Life Of Pi’Spoiler Space.

Filed Under: Film

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