event Other People

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.

A summary of Christopher Shinn’s Other People reads similarly to an enormous percentage of the off-Broadway and off-East End productions of the last decade: A small cast of intelligent, down-on-their-luck, lovelorn, artistically ambitious and occasionally queer characters cavort about the struggle to find love and creative fulfillment in a cramped Manhattan apartment. What separates Other People from, well, everything you’ve ever seen in a rep theatre is the perceptive melancholic wit of Shinn’s dialogue and a frankness about the egos (and narcotics) that are often the real reasons aspiring writers never get past penning blurbs. Aaron Willis, one of the artistic directors at Convergence Theatre, helms this Canadian première production.