1/21/19

11:00 AM

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Oscar This1/21/19

Should the Best Picture Oscar be considered the award for the best producing?

Lawrence Garcia

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1/20/19

9:00 AM

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Oscar This1/20/19

Oscar This1/20/19

Two of the year's best performances are being pushed for the wrong Oscar categories

A.A. Dowd

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1/19/19

9:00 AM

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Oscar This1/19/19

Oscar This1/19/19

One year after Get Out, another social thriller deserves Oscar love for its script

Katie Rife

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1/18/19

9:00 AM

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Oscar This1/18/19

Oscar This1/18/19

A Simple Favor’s costume design isn’t just dazzling and sexy—it tells a whole story

Allison Shoemaker

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1/17/19

11:00 AM

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Oscar This1/17/19

Oscar This1/17/19

If the Oscars valued smart comic acting, Rachel McAdams would be a shoo-in for Game Night

Mike D'Angelo

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1/16/19

11:00 AM

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Oscar This1/16/19

Oscar This1/16/19

There’s room for a little originality in the Oscar race for Best Adapted Screenplay

Jesse Hassenger

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1/22/18

9:00 AM

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Oscar This1/22/18

Oscar This1/22/18

Lady Bird will likely get a lot of Oscar love… but how about in the editing category?

Noel Murray

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1/20/18

12:00 PM

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Oscar This1/20/18

Oscar This1/20/18

Personal Shopper’s awards-caliber sound effects create an eerie atmosphere

Charles Bramesco

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1/19/18

9:00 AM

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Oscar This1/19/18

Oscar This1/19/18

Good Time's gritty camerawork would be a welcome rebuke to the Academy's tony taste

Ignatiy Vishnevetsky

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1/18/18

7:00 AM

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Oscar This1/18/18

Oscar This1/18/18

Sometimes the best-directed movie isn’t among the best of the year

Mike D'Angelo

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1/17/18

7:00 AM

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Oscar This1/17/18

Oscar This1/17/18

In a competitive year for Best Actress, Aubrey Plaza dangles Oscar bait from outside the box

Jesse Hassenger

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1/16/18

7:00 AM

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Oscar This1/16/18

Oscar This1/16/18

Blade Runner 2049 brought humanity to today’s most artificial movie gimmick

Sean O'Neal

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1/23/17

2:00 PM

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Oscar This1/23/17

Oscar This1/23/17

This year, the Oscars celebrate 60 years of ignoring movies from around the world

Ignatiy Vishnevetsky

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1/20/17

1:13 PM

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Oscar This1/20/17

Oscar This1/20/17

Green Room’s scrappy realism doesn’t stand a chance at the Oscars—but it should

Katie Rife

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1/19/17

1:00 AM

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Oscar This1/19/17

Oscar This1/19/17

Academy elitism will keep American Honey’s ragtag costumes out of the race

Esther Zuckerman

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1/18/17

1:00 AM

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Oscar This1/18/17

Oscar This1/18/17

The Academy should consider the farty boner corpse and other frugal effects work

A.A. Dowd

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1/17/17

1:00 AM

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Oscar This1/17/17

Oscar This1/17/17

The Academy won’t hear The Neon Demon’s terrific sound design over its unpopularity

Jesse Hassenger

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1/16/17

1:00 AM

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Oscar This1/16/17

Oscar This1/16/17

A small, character-based documentary isn’t “important” enough for the Academy

Noel Murray

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1/13/17

1:00 AM

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Oscar This1/13/17

Oscar This1/13/17

Ones, zeroes, and a disembodied voice delivered one of last year’s best performances

Mike D'Angelo

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1/12/17

1:00 AM

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Oscar This1/12/17

Oscar This1/12/17

The Oscar-worthy cinematography of Pete’s Dragon is anything but kids’ stuff

Charles Bramesco

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Should the Best Picture Oscar be considered the award for the best producing?

Two of the year's best performances are being pushed for the wrong Oscar categories

One year after Get Out, another social thriller deserves Oscar love for its script

A Simple Favor’s costume design isn’t just dazzling and sexy—it tells a whole story

If the Oscars valued smart comic acting, Rachel McAdams would be a shoo-in for Game Night

There’s room for a little originality in the Oscar race for Best Adapted Screenplay

Lady Bird will likely get a lot of Oscar love… but how about in the editing category?

Personal Shopper’s awards-caliber sound effects create an eerie atmosphere

Good Time's gritty camerawork would be a welcome rebuke to the Academy's tony taste

Sometimes the best-directed movie isn’t among the best of the year

In a competitive year for Best Actress, Aubrey Plaza dangles Oscar bait from outside the box

Blade Runner 2049 brought humanity to today’s most artificial movie gimmick

This year, the Oscars celebrate 60 years of ignoring movies from around the world

Green Room’s scrappy realism doesn’t stand a chance at the Oscars—but it should

Academy elitism will keep American Honey’s ragtag costumes out of the race

The Academy should consider the farty boner corpse and other frugal effects work

The Academy won’t hear The Neon Demon’s terrific sound design over its unpopularity

A small, character-based documentary isn’t “important” enough for the Academy

Ones, zeroes, and a disembodied voice delivered one of last year’s best performances

The Oscar-worthy cinematography of Pete’s Dragon is anything but kids’ stuff

Jameela Jamil and The Tenderloins on nostril leeches and The Misery Index

How did Disney use its Animal Kingdom park to create the live-action Lion King?

The Zombieland cast on why the sequel is worth the "double tap"

Should the Best Picture Oscar be considered the award for the best producing?

Two of the year's best performances are being pushed for the wrong Oscar categories

One year after Get Out, another social thriller deserves Oscar love for its script

A Simple Favor’s costume design isn’t just dazzling and sexy—it tells a whole story

If the Oscars valued smart comic acting, Rachel McAdams would be a shoo-in for Game Night

There’s room for a little originality in the Oscar race for Best Adapted Screenplay

Lady Bird will likely get a lot of Oscar love… but how about in the editing category?

Personal Shopper’s awards-caliber sound effects create an eerie atmosphere

Good Time's gritty camerawork would be a welcome rebuke to the Academy's tony taste

Sometimes the best-directed movie isn’t among the best of the year

In a competitive year for Best Actress, Aubrey Plaza dangles Oscar bait from outside the box

Blade Runner 2049 brought humanity to today’s most artificial movie gimmick

This year, the Oscars celebrate 60 years of ignoring movies from around the world

Green Room’s scrappy realism doesn’t stand a chance at the Oscars—but it should

Academy elitism will keep American Honey’s ragtag costumes out of the race

The Academy should consider the farty boner corpse and other frugal effects work

The Academy won’t hear The Neon Demon’s terrific sound design over its unpopularity

A small, character-based documentary isn’t “important” enough for the Academy

Ones, zeroes, and a disembodied voice delivered one of last year’s best performances

The Oscar-worthy cinematography of Pete’s Dragon is anything but kids’ stuff