Page To ScreenIn Page To Screen, we compare a movie to the book that spawned it. The analysis goes into deep detail about specific plot points—in other words, you’ve been warned.

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Pet Sematary digs for new ideas in Stephen King’s classic, but comes up empty

The Social Network is a masterpiece—does it matter that it bent the truth?

The House With A Clock In Its Walls loses the book’s gothic tone, but gains ’80s-movie magic

With BlacKkKlansman, Spike Lee turns a dull memoir into an energetic crowd-pleaser

HBO expands the world of Gillian Flynn’s Sharp Objects but keeps its dramatic core intact

Spielberg’s Jaws adaptation cut the mafia and sex subplots—and made movie history

In A.I., Steven Spielberg (and Stanley Kubrick) turned an eye to loneliness

Neither Death Wish film dares to grapple with the anti-vigilante stance of the novel

The novel that inspired Die Hard has its structure, but none of its holiday spirit

The Thing shows how non-metaphoric monster movies come down to craft

Blade Runner translated Philip K. Dick’s sparse mindfuck into Ridley Scott’s overwhelming vision

Guardians Of The Galaxy spotlights the ouroboros dynamic of comics and film

The Grinch should have quit after stealing Christmas the first time

In adapting Rosemary’s Baby, Polanski traded ambiguity for dreadfully inevitable horror

In source and adaptation, One Flew Over The Cuckoo’s Nest looks for hope in madness

Adapting Forrest Gump turned a caustic satire into a sentimental romance

The Witches found the right level of intensity for kids’ horror

At the heart of The Magicians is depression, and the fantasy of a magical cure

Richard Linklater became a political filmmaker with Fast Food Nation

Dune can’t capture the novel’s incalculable brilliance