Guy Ritchie stumbles through his greatest hits in the nostalgic crime caper The Gentlemen

It was worth the decade-long wait for Jia Zhangke’s portrait of Shanghai, I Wish I Knew

Nocturama director Bertrand Bonello returns with the eerie and entrancing Zombi Child

Pretty Deadly: The Rat battles obsession in Golden Age Hollywood

Suicide Squad’s relaunch pairs deadly thrills with sharp political commentary

Matt Murdock takes control of his tail-spinning life in Daredevil #16

The Vanished Birds’ bittersweet love stories span time and space

Queer desire is beautifully messy in Garth Greenwell’s magnificent Cleanness

Anna Wiener falls into tech’s Uncanny Valley in her incisive new memoir

With Fine Line, Harry Styles transforms into a California-pop iconoclast

A weary Beck occasionally lifts off on Hyperspace

Coldplay runs away from Coldplay on the wildly uneven Everyday Life

Jedi: Fallen Order is a good Star Wars game with terrible slides

Death Stranding is an allegory for a broken America, and one of the weirdest games in years

The versions of Man Of Medan you don’t play are way more interesting than the one you do

The deliciously nasty Vampyr feels like a game from another era

Far Cry 5’s nihilistic ending tries to take the rest of the game down with it

Ni No Kuni 2’s final hours bring a conventional ending to an unconventional RPG

With Dr. Strangelove, Kubrick shot a brilliant satire like a straight thriller

Fantastic Planet looks as strange today as it must have 40 years ago

Jean Renoir’s path to greatness began with La Chienne

Wyatt Cenac’s latest album finds the funny in world-weariness

Taylor Negron isn’t exactly himself on this posthumous collection

On Effable, Guy Branum imbues observational humor with personal pain