A country-music star is born in the Scottish honky-tonk drama Wild Rose

Mick Garris gathers his famous friends for the horror anthology Nightmare Cinema

The Command sucks all of the dramatic oxygen out of a real-life submarine disaster

The apocalypse is insufferable and excessive in FKA USA

With his debut story collection, Raphael Bob-Waksberg is trying to mend your heart

It’s Harry Potter meets Megan Abbott in fantasy noir Magic For Liars

Vertigo’s Imaginary Fiends bundles X-Files and Monsters, Inc. with a very serious creep factor

The charming, chaotic Jimmy Olsen brings Matt Fraction back to superheroes

Geoff Johns reckons with his DC Comics legacy in Doomsday Clock #10

Bruce Springsteen tries to lose himself under the cinematic scope of Western Stars

Left-field cameos fuel Flying Lotus’ latest odyssey, Flamagra

Relationship status with Morrissey’s new covers album: It’s complicated

Mortal Kombat 11 is the ideal Mortal Kombat game: Cheesy, violent, and self-aware

Capcom’s Resident Evil 2 remake is bold, confident, and unapologetically outdated

The new No More Heroes is a love letter to tons of great games you should play instead

The deliciously nasty Vampyr feels like a game from another era

Far Cry 5’s nihilistic ending tries to take the rest of the game down with it

Ni No Kuni 2’s final hours bring a conventional ending to an unconventional RPG

With Dr. Strangelove, Kubrick shot a brilliant satire like a straight thriller

Fantastic Planet looks as strange today as it must have 40 years ago

Jean Renoir’s path to greatness began with La Chienne

Wyatt Cenac’s latest album finds the funny in world-weariness

Taylor Negron isn’t exactly himself on this posthumous collection

On Effable, Guy Branum imbues observational humor with personal pain