Three years after breaking into the popular consciousness (if not the Billboard charts) with “Good As Hell”—a song that …
Indie music has been snuggling up to all things orchestral for decades. But the sumptuous textures on Titanic Rising, s…
It’s not really fair to call an artist “the ___ version of” another artist. It denies their individuality and reduces…
Andrew Bird’s My Finest Work Yet is as much a culmination of his musical storytelling as it is a high mark of his…
Nobody would ever accuse Jenny Lewis of being circumspect. The catalog of her first band, ’00s indie-pop pace-setters Ri…
“Don’t get mad at me, I’m just being honest,” Rivers Cuomo sings on Weezer’s latest self-titled, color-coded album,…
By the end of the 20th century, Alex Chilton—pop hit Box Tops singer, Big Star legend, Replacements inspiration—was…
Ariana Grande has had a rough few years, starting with the tragic 2017 Manchester Arena bombing after her concert there…
Despite his Grammy nods and Mercury Prizes, his high-profile collaborations with glitterati, James Blake is not so much…
Sharon Van Etten’s transformative fifth studio album, Remind Me Tomorrow, kicks off with a lyrical sucker punch:…
The conceit of Deerhunter’s eighth full-length, Why Hasn’t Everything Already Disappeared?, is that it’s a…
Earl Sweatshirt’s 2015 album I Don’t Like Shit, I Don’t Go Outside is one of the best rap albums of the decade, but it…
Charles Bradley came by the raw emotion in his voice honestly. He was really only famous for six of his 68 years on…
Artists going solo are always haunted by the specter of their main gig. Thom Yorke’s pair of electronic releases under…
Lil Wayne’s long-delayed Tha Carter V has enough highlights to carry it through, while metal vets High On Fire offer…
Sonic and emotional economy tend to be Chan Marshall’s greatest strengths. Her albums as Cat Power sound like…
Of course Cher pulls off the ABBA tribute Dancing Queen. Elsewhere BROCKHAMPTON continues to reveal new shades on Irides…
Piano & A Microphone 1983 is an unpolished Prince gem, while Metric loses focus on Air Of Doubt, and Lonnie Holley is…
When Christine And The Queens emerged with 2015’s self-titled effort, the album was a welcome antidote to sterile pop…
In 2016, Noname made waves when she debuted with Telefone, a vivid, soulful collection of jazz-rap establishing her …
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