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This week in Savage Love: Standards

Damon Lindelof’s Watchmen is a reckoning worth waiting for

It’s been 10 years, but the Balloon Boy saga is only getting weirder

“Sweet Child O’ Mine” marked a turning point for Guns N’ Roses

Gnarls Barkley’s “Crazy” embraced the eccentric in R&B

Haddaway’s “What Is Love” is the one-hit wonder that keeps hitting home

Robert Palmer’s “Addicted To Love” helped define the MTV era

Duran Duran’s “A View To A Kill” propelled James Bond into the modern world

Mellon Collie foretold both glory and doom for The Smashing Pumpkins

With Blood On The Tracks, Bob Dylan bid an angry, ragged farewell to his wife

The Stones blended slavery, sex, and (maybe) heroin in “Brown Sugar”

New Radicals’ only hit, “You Get What You Give,” was secretly influential

The Rembrandts’ “I’ll Be There For You” was a golden albatross

With “West End Girls,” Pet Shop Boys set a high standard for U.K. hip-hop

“The Power Of Love” gave Huey Lewis And The News pop culture immortality

Alanis Morissette’s Jagged Little Pill was a powerful, DIY feminist statement

With “Shoop,” Salt-N-Pepa took control professionally and sexually

Michael Jackson’s “You Are Not Alone” is creepier and sadder than you think

With Nine Lives, Aerosmith managed one last gasp of greatness

After Illmatic, Nas had to return to Earth

With “Sex And Candy,” Marcy Playground turned disco gibberish into alternative gold

Encore, once considered Eminem’s worst, stands as satire within chaos

If you can do the Bartman, you’re bad like Michael Jackson

Muscle suits and metal heads: Inside the costume shop that makes all the best big screen superhero looks

Larry Hankin on El Camino, the genius of Bill Hader, and getting axed on Friends

Jojo Rabbit's Stephen Merchant on why U.S. satire has "lost its nerve"

“Sweet Child O’ Mine” marked a turning point for Guns N’ Roses

Gnarls Barkley’s “Crazy” embraced the eccentric in R&B

Haddaway’s “What Is Love” is the one-hit wonder that keeps hitting home

Robert Palmer’s “Addicted To Love” helped define the MTV era

Duran Duran’s “A View To A Kill” propelled James Bond into the modern world

Mellon Collie foretold both glory and doom for The Smashing Pumpkins

With Blood On The Tracks, Bob Dylan bid an angry, ragged farewell to his wife

The Stones blended slavery, sex, and (maybe) heroin in “Brown Sugar”

New Radicals’ only hit, “You Get What You Give,” was secretly influential

The Rembrandts’ “I’ll Be There For You” was a golden albatross

With “West End Girls,” Pet Shop Boys set a high standard for U.K. hip-hop

“The Power Of Love” gave Huey Lewis And The News pop culture immortality

Alanis Morissette’s Jagged Little Pill was a powerful, DIY feminist statement

With “Shoop,” Salt-N-Pepa took control professionally and sexually

Michael Jackson’s “You Are Not Alone” is creepier and sadder than you think

With Nine Lives, Aerosmith managed one last gasp of greatness

After Illmatic, Nas had to return to Earth

With “Sex And Candy,” Marcy Playground turned disco gibberish into alternative gold

Encore, once considered Eminem’s worst, stands as satire within chaos

If you can do the Bartman, you’re bad like Michael Jackson