The best movies of Cannes 2018, plus a serious Palme D’Or threat at the end of the festival

Apologies to anyone hoping for a first impression on the closing night film of Cannes, Terry Gilliam’s The Man Who Killed Don Quixote. It’s premiering right now, as I type this, but I’m on a flight to New York instead, ready to return to real life after 11 days in the bubble. I’ve missed or am missing a few other…

Han Solo brings not enough fun to Cannes, while a superb film makes its late-festival premiere

It’s a question that comes up every time a Mad Max or a Pixar creation crashes the Palais, and every time one doesn’t: Do Hollywood blockbusters really belong at Cannes? To see one at the festival, an event theoretically devoted to provocation and innovation and basically any kind of world cinema not processed for…