Boots Riley has a message and his language is surrealism
Boots Riley, director of I Love Boosters, uses his outsized visual style to serve his socialist social commentary.
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The world wasn’t ready for Rey
Because she brought a new kind of action heroine to the Star Wars universe, Daisy Ridley’s Rey became a target.
Tensions rise between Hugh Jackman and Jodie Comer in our exclusive look at The Death Of Robin Hood
The Death Of Robin Hood director Michael Sarnoski talks burning down huts, shooting on film, and the “ancient, epic beauty” they captured.
The Mandalorian And Grogu works when it’s not trying to be a blockbuster
The Mandalorian And Grogu isn’t great Star Wars, but its best sequence shrinks things down to puppet level.
The snakes bare their fangs as the penultimate Euphoria hints at more death to come
What’s worse than being buried alive? Euphoria has the answer.