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LIMIT 108 OFFSET 8424
Ignored by Oscar, Steve Martin gave 1984’s best lead performance in All Of Me
By Mike D'Angelo February 26, 2013 | 6:00am
Paycheck ’s commentary finds John Woo defending the film that stalled his Hollywood careerBy Noel Murray February 25, 2013 | 6:00pm
Tell us about your pop-culture weekend: February 15-17, 2013
By AV Club Staff February 25, 2013 | 6:00am
The German drama Requiem raises questions about a famous demon-possession case
By Scott Tobias February 25, 2013 | 6:00am
How Oscar’s Best Picture nominees rub viewers’ noses in America’s dark past
By Emily St. James February 22, 2013 | 6:20pm
A bloody good crime film, a stellar horror comic, and 3 more can’t-miss entertainments
By Sean O'Neal, Emily St. James, Scott Tobias, Tasha Robinson, Genevieve Koski February 22, 2013 | 6:00pm
The Friends Of Eddie Coyle gives a late-career Robert Mitchum an extra set of knucklesBy Scott Tobias February 22, 2013 | 6:00am
A corporate whistleblower’s daily life lends dimension to the fact-based Silkwood
By Mike D'Angelo February 21, 2013 | 6:00am
This week we're barely putting up with The Academy Awards
By Amelie Gillette February 20, 2013 | 6:00pm
Jeffrey Combs on Re-Animator ’s endurance, playing H.P. Lovecraft, and more
By Nathan Rabin February 20, 2013 | 6:00pm
Donnie Brasco features Al Pacino as a Willy Loman-esque sad sack By Nathan Rabin February 20, 2013 | 6:00am
Here are some scary movie characters you wouldn't want in your family
By AV Club Staff February 19, 2013 | 6:00pm
Al Pacino’s integrity costs him in the undercover-cop classic Serpico
By Noel Murray February 19, 2013 | 6:00am
The singularly insane Branded is a case study in good intentions gone astray
By Nathan Rabin February 19, 2013 | 6:00am
Eric Roberts on The Dark Knight , Shelley Winters, John Waters, and more
By Will Harris February 19, 2013 | 6:00am
The audacious Odd Man Out turns Britain’s biggest star into furniture in his own film
By Mike D'Angelo February 18, 2013 | 6:00pm
White House Madness is the Kentucky Fried Movie of alt-history Nixon comediesBy Nathan Rabin February 18, 2013 | 6:00pm
Tell us about your pop-culture weekend: February 15-17, 2013
By AV Club Staff February 18, 2013 | 6:00am
The Informant! turns a tale of corporate whistle-blowing into zany comedy By Sam Adams February 18, 2013 | 6:00am
Death Becomes Her casts Bruce Willis as the helpless rope in a tug-of-warBy Tasha Robinson February 15, 2013 | 6:00am
Regrettably unattainable art
By Nathan Rabin, Kevin McFarland, Kyle Ryan, Jason Heller, Steve Heisler, Joel Keller, Vadim Rizov, Phil Dyess-Nugent, Erik Adams, Noel Murray, Emily St. James, Marah Eakin, Sam Adams, Tasha Robinson, John Teti February 15, 2013 | 6:00am
Safe Haven
By Scott Tobias February 14, 2013 | 6:01am
Beautiful Creatures
By Tasha Robinson February 14, 2013 | 6:00am
Mortal Thoughts gives an abuser’s murder the Rashomon treatmentBy Scott Tobias February 14, 2013 | 6:00am
C. Thomas Howell on The Outsiders , blackface, and how Marlboros got him cast in E.T.
By Will Harris February 13, 2013 | 6:00pm
The notorious flop Hudson Hawk goes places no other studio action vehicle would dare
By Mike D'Angelo February 13, 2013 | 6:00am
“Is that one thing?”: 5 pop-culture life coaches who can’t count
By Tasha Robinson February 13, 2013 | 6:00am
Miley Cyrus struggles to grow up in the non-amazeballs So Undercover
By Nathan Rabin February 12, 2013 | 6:00am
Color Of Night takes the erotic thriller far beyond the point of absurdityBy Nathan Rabin February 12, 2013 | 6:00am
The commentary for Alex Cross is just as numbingly generic as its film
By Scott Tobias February 11, 2013 | 6:00pm
What Just Happened turns a producer’s real-life experiences into comedyBy Noel Murray February 11, 2013 | 6:00am
1936’s My Man Godfrey is a Depression-era fantasy needling the rich
By Tasha Robinson February 8, 2013 | 6:00am
Oscar-winning documentarian Alex Gibney talks the Catholic sex scandals
By Emily St. James February 7, 2013 | 7:30pm
Side Effects
By Scott Tobias February 7, 2013 | 6:00am
Zoolander refuses to let satire interfere with its inspired sillinessBy Scott Tobias February 7, 2013 | 6:00am
The classic cross-dressing farce Tootsie tackles gender roles on-screen and off
By Nathan Rabin February 7, 2013 | 6:00am
Matt Damon’s signature performance is the chameleon at the center of The Talented Mr. Ripley
By Scott Tobias February 6, 2013 | 6:00am
Catch Me If You Can emphasizes the “confidence” part of “con game”By Noel Murray February 5, 2013 | 6:00am
Mac & Devin Go To High School manages to give rapsploitation movies a bad name By Nathan Rabin February 5, 2013 | 6:00am
In Hunk , a computer nerd sells his soul for some sweet “v-ball” skills
By Noel Murray February 4, 2013 | 6:00pm
Stop Making Sense ’s opening number establishes it as a concert film like no otherBy Mike D'Angelo February 4, 2013 | 6:00am
Alec Baldwin excels as a robber who robs robbers in the crime comedy Miami Blues
By Mike D'Angelo February 4, 2013 | 6:00am
Hold for some minor retooling: 14-plus entertainments altered due to historical events
By Noah Cruickshank, Zack Handlen, Scott Tobias, Phil Dyess-Nugent, Sam Adams February 4, 2013 | 6:00am
Walter Hill on the anti-buddy movie and the evolution of the action film
By Scott Tobias February 1, 2013 | 4:00pm
Warm Bodies
By Tasha Robinson January 31, 2013 | 6:00am
The wacky murder-musical The Happiness Of The Katakuris redefines Takashi Miike
By Tasha Robinson January 31, 2013 | 6:00am
The “gentleman’s F” and the scourge of deliberate mediocrity
By Scott Tobias January 30, 2013 | 6:00am
The macabre Beetlejuice is a reminder of the dazzling Tim Burton of old
By Nathan Rabin January 30, 2013 | 6:00am
The surreally incompetent Not Another Not Another Movie is beneath contempt
By Nathan Rabin January 29, 2013 | 6:00am
How The Return Of The Living Dead thumbs its nose at traditional zombie lore
By Noel Murray January 29, 2013 | 6:00am
The Order ’s commentary track is so dull, it almost invalidates the formBy Nathan Rabin January 28, 2013 | 6:00pm
An obscure H.P. Lovecraft story gets twisted into a hilarious gore comedy in Re-Animator
By Mike D'Angelo January 28, 2013 | 6:00am
Hollywood’s trash, our treasure: 17 salvageable flops from the late-winter dumping ground
By Nathan Rabin, John Semley, Zack Handlen, Scott Tobias, Vadim Rizov, Phil Dyess-Nugent, Noel Murray, Tasha Robinson January 28, 2013 | 6:00am
Hansel & Gretel: Witch Hunters
By Tasha Robinson January 25, 2013 | 9:49pm
Day Eight wraps up an exceptionally good Sundance with a late-breaking entry to round out the Top Five list
By Sam Adams January 25, 2013 | 8:22pm
Neil Jordan’s The Company Of Wolves gives “Little Red Riding Hood” a lush, alluring storybook grandeur
By Scott Tobias January 25, 2013 | 6:00am
Unpacking the short but prickly filmography of Elaine May
By Nathan Rabin January 24, 2013 | 6:00pm
Documentaries on Pussy Riot, FAME Studios and Sound City highlight an all-music Day Seven at Sundance
By Sam Adams January 24, 2013 | 5:40pm
Reese Witherspoon is a badass Little Red Riding Hood in the sordid, sleazy Freeway
By Nathan Rabin January 24, 2013 | 6:00am
Day Six at Sundance tackles the Beltway Sniper killings and a second go-around for Michael Cera and Sebastían Silva
By Sam Adams January 23, 2013 | 3:48pm
Extra terror, hold the gore: 8 truly scary PG-13 horror movies
By Nathan Rabin, Phil Dyess-Nugent, Tasha Robinson, Scott Tobias January 23, 2013 | 6:00am
With Into The West , a Harry Potter director honed his skill with magic
By Tasha Robinson January 23, 2013 | 6:00am
Day Five at Sundance is all about the perplexing, overwhelming, heart-stoppingly beautiful Upstream Color
By Sam Adams January 22, 2013 | 5:30pm
Guns, Girls And Gambling is 15 years late for the era of Tarantino knockoffsBy Nathan Rabin January 22, 2013 | 6:00am
Bluebeard filters folktale through one of filmmaking’s most provocative sensibilitiesBy Noel Murray January 22, 2013 | 6:00am
1972’s Blood Of Ghastly Horror roughly mated zombie horror and a heist film
By Tasha Robinson January 21, 2013 | 7:30pm
1985’s Tampopo kicked off the era of death threats for loud moviegoers
By Mike D'Angelo January 21, 2013 | 6:00pm
Before Midnight , a Terrence Malick homage and Lake Bell's directorial debut top a great Day Four at SundanceBy Sam Adams January 21, 2013 | 2:33pm
The Red Shoes skips the fairy tale’s severed feet and meditates on love insteadBy Mike D'Angelo January 21, 2013 | 6:00am
Day Three at Sundance offers a thrillingly subversive, extralegal tour of Disney's Magic Kingdom
By Sam Adams January 20, 2013 | 6:19pm
Day Two at Sundance brings Joseph Gordon-Levitt's risible directorial debut and a triumphant follow-up to Smashed
By Sam Adams January 19, 2013 | 6:40pm
Wong Kar-wai’s My Blueberry Nights relocates the auteur’s lyrical vision to the United States
By Nathan Rabin January 18, 2013 | 4:00pm
Day One at Sundance sends Michael Cera on a wild, drug-filled odyssey through Chile
By Sam Adams January 18, 2013 | 1:38pm
West Of Memphis subject Damien Echols on his murder conviction, release, and closureBy Josh Modell January 18, 2013 | 6:00am
Mama By Tasha Robinson January 17, 2013 | 6:10am
Pump Up The Volume offers a punk twist on the John Hughes formulaBy Scott Tobias January 17, 2013 | 6:00am
Pinning down Kathryn Bigelow’s fascinating, elusive filmography
By Scott Tobias January 17, 2013 | 6:00am
Amadeus director Milos Forman started small, with the counterculture comedy Taking Off By Tasha Robinson January 17, 2013 | 6:00am
This week we're barely putting up with The Last Stand
By Amelie Gillette January 16, 2013 | 6:00pm
Fritz Lang’s Fury sympathizes with a persecuted innocent
By Sam Adams January 16, 2013 | 6:00am
A Beginner’s Guide To Endings is so oppressively wacky, even its quirks have quirksBy Nathan Rabin January 15, 2013 | 6:00am
With Model Shop , French director Jacques Demy brought his swooning sensibility to hippie-era L.A.
By Noel Murray January 15, 2013 | 6:00am
Safe ’s director commentary is much smarter than the filmBy Tasha Robinson January 14, 2013 | 6:00pm
The darkly comic Barfly slips every cliché of inebriation
By Mike D'Angelo January 14, 2013 | 4:00pm
Zero Dark Thirty ’s lone-wolf protagonist makes it more conventional than it seemsBy Mike D'Angelo January 14, 2013 | 6:00am
Can an exploitation movie be a great movie?
By Tasha Robinson, Scott Tobias January 11, 2013 | 4:00pm
Peter Fonda’s acid Western The Hired Hand reflects the addled headspace of its creator
By Scott Tobias January 11, 2013 | 6:00am
Favorite musical sequences in musicals
By AV Club Staff January 11, 2013 | 6:00am
The Least Wonderful Time Of The Year: 2013 winter movie preview
By Nathan Rabin, Noel Murray, Tasha Robinson, Scott Tobias January 11, 2013 | 6:00am
What we’re rooting for at the Oscars
By AV Club Staff January 10, 2013 | 6:52pm
Quartet
By Scott Tobias January 10, 2013 | 6:03am
Gridlock’d finds the hilarity in kicking heroinBy Nathan Rabin January 10, 2013 | 6:00am
40 years before Django Unchained , The Spook Who Sat By The Door depicted a full-scale black revolution
By Sam Adams January 9, 2013 | 6:00am
Lincoln , Zero Dark Thirty , and the challenges of capturing history on filmBy Noel Murray January 9, 2013 | 6:00am
Steve Buscemi drew on his Long Island roots for his funny, affecting directorial debut Trees Lounge
By Noel Murray January 8, 2013 | 6:00pm
Robert Jordan, Brandon Sanderson: A Memory Of Light
By Zack Handlen January 8, 2013 | 6:00am
The Letter takes a pretentious, tedious dive into Winona Ryder’s fractured psycheBy Nathan Rabin January 8, 2013 | 6:00am
A Moonrise Kingdom montage shows the art of compression isn’t dead
By Mike D'Angelo January 7, 2013 | 6:00pm
The makers of Big Mommas: Like Father, Like Son are weirdly proud of themselves
By Nathan Rabin January 7, 2013 | 6:00pm
The Night Of The Hunter was Charles Laughton’s first, and only, directorial masterpieceBy Mike D'Angelo January 7, 2013 | 6:00am
Man Bites Dog turns serial murder into mock-documentary entertainmentBy Scott Tobias January 4, 2013 | 4:00pm
Night Of The Living Dead ’s indiscriminate killing spree is a handy metaphor for ’60s societyBy Noel Murray January 3, 2013 | 7:30pm
This week we're barely putting up with A Haunted House
By Amelie Gillette January 2, 2013 | 6:00pm
Wolf Creek heads to the Outback for an exercise in raw terrorBy Scott Tobias January 2, 2013 | 6:00pm
The Texas Chain Saw Massacre hit theaters like a grisly piece of outsider artBy Scott Tobias December 31, 2012 | 6:00pm
Tell us about your pop-culture weekend: December 21-23, 2012
By AV Club Staff December 31, 2012 | 6:00am
Promised Land
By Scott Tobias December 27, 2012 | 6:01am
Sopranos mastermind David Chase talks process and his debut feature filmBy Sam Adams December 27, 2012 | 6:00am
