Film Reviews

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The gripping Israeli drama Policeman finally makes its way to America By Ben Kenigsberg June 19, 2014 | 5:00am
Think Like A Man Too has less Steve Harvey and more generic lousiness By Ignatiy Vishnevetsky June 19, 2014 | 5:00am
Murder, abuse, and flaming genitals make Heli hell for squeamish viewers By Ben Kenigsberg June 19, 2014 | 5:00am
Roman Polanski moves another talky drama, Venus In Fur, from stage to screen By A.A. Dowd June 19, 2014 | 5:00am
With Code Black, a medical student puts his own ER in front of the lens By Mike D'Angelo June 19, 2014 | 5:00am
Paul Haggis crashes back into Crash territory with the absurd Third Person By A.A. Dowd June 19, 2014 | 5:00am
Try as he might, Clint Eastwood can’t overcome the problems of Jersey Boys By Ignatiy Vishnevetsky June 19, 2014 | 5:00am
Coherence makes the most of a dizzying science-fiction premise By A.A. Dowd June 19, 2014 | 5:00am
Judex, new to Criterion, packs a lot of lunacy into 97 minutes By Mike D'Angelo June 18, 2014 | 5:00am
There are shades of Jarmusch and Woody Allen in the wry A Coffee In Berlin By Nick Schager June 12, 2014 | 5:00pm
Set at the onset of the AIDS crisis, Test is smarter about bodies than minds By David Ehrlich June 12, 2014 | 4:00pm
Ivory Tower weighs the value of college against its increasingly obscene cost By David Ehrlich June 12, 2014 | 3:00pm
Garrett Hedlund smokes and scowls his way through tiresome indie Lullaby By Jesse Hassenger June 12, 2014 | 3:00pm
Crooks face a coven in Álex De La Iglesia’s typically daft Witching & Bitching By Ignatiy Vishnevetsky June 12, 2014 | 2:00pm
The biopic Violette reduces its famous feminist subject to a whiny bore By Mike D'Angelo June 12, 2014 | 2:00pm
Aaron Paul plays a breaking dad in the clichéd indie drama Hellion By Ignatiy Vishnevetsky June 12, 2014 | 1:00pm
How To Train Your Dragon 2 has more dragons, less soul than its predecessor By A.A. Dowd June 12, 2014 | 5:00am
22 Jump Street is a sequel about sequels By Ignatiy Vishnevetsky June 12, 2014 | 5:00am
The Signal has a big sci-fi twist—and not much else going for it By A.A. Dowd June 12, 2014 | 5:00am
Guy Pearce drives angry in The Rover, a flavorful post-apocalyptic thriller By A.A. Dowd June 12, 2014 | 5:00am
Agnieszka Holland’s Burning Bush reminds that fighting City Hall takes time By Mike D'Angelo June 11, 2014 | 5:00am
Subtext or not, All That Heaven Allows works great as straight melodrama By Mike D'Angelo June 11, 2014 | 5:00am
Rigor Mortis revives the hopping-vampire movie By Ignatiy Vishnevetsky June 5, 2014 | 5:00pm
As agitprop docs go, Citizen Koch is both passionate and level-headed By David Ehrlich June 5, 2014 | 4:00pm
In his uneven Trust Me, Clark Gregg casts himself as a desperate child-star agent By Jesse Hassenger June 5, 2014 | 3:00pm
The director of Vincere mines headlines for schematic drama in Dormant Beauty By Ignatiy Vishnevetsky June 5, 2014 | 2:00pm
The Dutch curiosity Borgman strains too hard for instant cult appeal By Mike D'Angelo June 5, 2014 | 2:00pm
Edge Of Tomorrow puts Tom Cruise through an action-packed Groundhog Day By Ignatiy Vishnevetsky June 5, 2014 | 5:00am
Jenny Slate shows new shades of funny in the charming Obvious Child By A.A. Dowd June 5, 2014 | 5:00am
The Fault In Our Stars moves from page to screen, losing a little of its magic By A.A. Dowd June 5, 2014 | 5:00am
Mads Mikkelsen fights for justice in the misleadingly retitled Age Of Uprising By Mike D'Angelo June 5, 2014 | 5:00am
Bobcat Goldthwait’s Willow Creek is basically The Blair Bigfoot Project By A.A. Dowd June 5, 2014 | 5:00am
Mike Myers’ directorial debut, Supermensch, is a celebrity mash note By Jesse Hassenger June 5, 2014 | 5:00am
Montgomery Clift made his screen debut opposite John Wayne in the great Red River By Mike D'Angelo June 4, 2014 | 5:00am
Maleficent only half commits to subverting Disney fairy-tale convention By Ignatiy Vishnevetsky May 29, 2014 | 8:51pm
The inane Filth puts James McAvoy in touch with his inner Bad Lieutenant By David Ehrlich May 29, 2014 | 5:00am
Rock critic Toni Collette hunts a famous ex in the engaging Lucky Them By Mike D'Angelo May 29, 2014 | 5:00am
Restrepo follow-up Korengal sorely lacks the original’s immediacy By Ignatiy Vishnevetsky May 29, 2014 | 5:00am
Seth MacFarlane didn’t bother to think of A Million Ways To Die In The West By Ignatiy Vishnevetsky May 29, 2014 | 5:00am
Confused politics lurk beneath the aw-shucks charm of The Grand Seduction By Ignatiy Vishnevetsky May 29, 2014 | 5:00am
Jesse Eisenberg makes Night Moves in Kelly Reichardt’s moody new thriller By A.A. Dowd May 29, 2014 | 5:00am
Swedish teen girls go punk, circa 1982, in the irresistible We Are The Best! By Mike D'Angelo May 29, 2014 | 5:00am
Wes Anderson’s The Life Aquatic is much better than its initial reviews claimed By Mike D'Angelo May 28, 2014 | 5:00am
Robin Williams stars, unconvincingly, as The Angriest Man In Brooklyn By Jesse Hassenger May 22, 2014 | 5:00am
X-Men: Days Of Future Past embraces geeky, comics-style storytelling By Ignatiy Vishnevetsky May 22, 2014 | 5:00am
Blended is good only by Adam Sandler standards By Ignatiy Vishnevetsky May 22, 2014 | 5:00am
Cold In July thrillingly shuffles genres, before settling on a dumb one By A.A. Dowd May 22, 2014 | 5:00am
Stand Clear Of The Closing Doors resists intimacy and eschews convention By David Ehrlich May 22, 2014 | 5:00am
Alejandro Jodorowsky’s The Dance Of Reality is a psychomagical mystery tour By Ignatiy Vishnevetsky May 22, 2014 | 5:00am
Words And Pictures is lopsided in Clive Owen’s favor By Jesse Hassenger May 22, 2014 | 5:00am
A People Uncounted offers a crash course in Roma culture By Jenni Miller May 15, 2014 | 5:00am
The Fake Case takes another documentary glimpse at Chinese artist Ai Weiwei By David Ehrlich May 15, 2014 | 5:00am
The maudlin Disney sports movie Million Dollar Arm sends Jon Hamm to India By Ignatiy Vishnevetsky May 15, 2014 | 5:00am
Chinese Puzzle reunites the characters of L'Auberge Espagnole and Russian Dolls By Mike D'Angelo May 15, 2014 | 5:00am
Bernard Rose’s found-footage flick Sx_Tape is half-clever, all-incompetent By Ignatiy Vishnevetsky May 15, 2014 | 5:00am
A Night In Old Mexico feels like Robert Duvall’s swan song, even if it isn’t By David Ehrlich May 15, 2014 | 5:00am
James Gray’s The Immigrant is an American masterpiece By Ignatiy Vishnevetsky May 15, 2014 | 5:00am
Mr. Magoo remains funny by appealing to our own sense of self-certainty By Emily St. James May 14, 2014 | 5:00am
After a long dry spell, Hollywood does Godzilla right By A.A. Dowd May 13, 2014 | 5:15pm
Horses Of God sharply dramatizes a real-life terrorist attack By Nick Schager May 13, 2014 | 5:00am
Legends Of Oz saddles Dorothy with a team of unworthy replacements By Kevin McFarland May 9, 2014 | 4:30pm
May director Lucky McKee takes another misstep with All Cheerleaders Die By A.A. Dowd May 9, 2014 | 5:00am
Belle gives Britain’s anti-slavery movement the Masterpiece treatment By Ignatiy Vishnevetsky May 8, 2014 | 7:45pm
A new documentary takes an unfocused look at the Farmland of America By Jesse Hassenger May 8, 2014 | 5:00pm
Gia Coppola adapts Palo Alto, a short story collection by James Franco By Ignatiy Vishnevetsky May 8, 2014 | 4:00pm
Fed Up simplifies the facts to feed us a message about obesity By Mike D'Angelo May 8, 2014 | 3:00pm
The slasher-musical Stage Fright actively courts camp appreciation By Ignatiy Vishnevetsky May 8, 2014 | 2:00pm
Neighbors should have wrung more laughs out of its generational-warfare premise By A.A. Dowd May 8, 2014 | 5:00am
Jon Favreau gets back to his indie roots—sort of—with the comedy Chef By A.A. Dowd May 8, 2014 | 5:00am
The comedy The Double pits Jesse Eisenberg against…Jesse Eisenberg By Ben Kenigsberg May 8, 2014 | 5:00am
Philip Seymour Hoffman leads a strong cast in the actors’ picture God’s Pocket By Ignatiy Vishnevetsky May 8, 2014 | 5:00am
Devil’s Knot pointlessly dramatizes the West Memphis Three case By Ben Kenigsberg May 8, 2014 | 5:00am
The “faith-based” Moms’ Night Out scrubs comedy tropes of their naughtiness By Mike D'Angelo May 8, 2014 | 5:00am
Dreyer’s 1925 Master Of The House is shockingly progressive about gender By Ben Kenigsberg May 7, 2014 | 5:00am
Blood Glacier is a solid B-monster movie, nothing more or less By Ignatiy Vishnevetsky May 2, 2014 | 7:08pm
Elizabeth Banks takes a long Walk Of Shame in this throwback class comedy By Ignatiy Vishnevetsky May 2, 2014 | 5:29pm
Wolf Creek 2 is more extreme but less terrifying than the original By A.A. Dowd May 2, 2014 | 5:00pm
Ti West plays dumb in The Sacrament, proving he’s too good for found-footage By A.A. Dowd May 2, 2014 | 5:00pm
A young nun discovers who she really is in Pawel Pawlikowski’s artful Ida By A.A. Dowd May 2, 2014 | 5:00am
Only Kevin Spacey and his friends will get much out of NOW By Mike D'Angelo May 1, 2014 | 5:00pm
Thomas Haden Church stars in Whitewash, an undercooked survival thriller By Jenni Miller May 1, 2014 | 3:00pm
Beneath The Harvest Sky mucks up a fine regional mood piece with unnecessary plot By Ignatiy Vishnevetsky May 1, 2014 | 2:00pm
Tony Jaa’s comeback movie, The Protector 2, inspires more laughter than awe By Ignatiy Vishnevetsky May 1, 2014 | 5:00am
The Amazing Spider-Man 2 suffers from an excess of plot, villains, everything By A.A. Dowd May 1, 2014 | 5:00am
With Decoding Annie Parker, the cinematographer of White Chicks gets into directing By Ignatiy Vishnevetsky May 1, 2014 | 5:00am
Il Sorpasso both exemplifies and perfects the Italian comedy By David Ehrlich April 30, 2014 | 5:00am
Gambit is one of those rare films written, but not directed, by the Coen brothers By Jesse Hassenger April 29, 2014 | 5:00pm
Make sure to bring a pair of earplugs to The Quiet Ones, the year’s loudest horror movie By A.A. Dowd April 25, 2014 | 5:00pm
Brick Mansions remakes District B13 with the late Paul Walker and more cartoon illogic By Ignatiy Vishnevetsky April 24, 2014 | 7:28pm
No points for guessing the secret identity of The German Doctor’s title character By Ignatiy Vishnevetsky April 24, 2014 | 5:00pm
Despite its title, Bicycling With Molière is more low comedy than high art By Mike D'Angelo April 24, 2014 | 3:00pm
For No Good Reason profiles Hunter S. Thompson’s favorite cartoonist, Ralph Steadman By Jesse Hassenger April 24, 2014 | 2:00pm
The Other Woman starts mildly classy—and then out comes the CGI dog shit and transphobia By Ignatiy Vishnevetsky April 24, 2014 | 5:00am
Joss Whedon penned the high-concept romance In Your Eyes, now available to download By Jesse Hassenger April 24, 2014 | 5:00am
Blue Ruin revitalizes the revenge thriller with eccentric personality By A.A. Dowd April 24, 2014 | 5:00am
Tom Hardy takes an unsatisfying solo drive in Locke By A.A. Dowd April 24, 2014 | 5:00am
François Ozon’s Young & Beautiful dances around the motives of a teenage prostitute By Mike D'Angelo April 24, 2014 | 5:00am
New to Criterion, Riot In Cell Block 11 is at once an exploitation flick and a message movie By Mike D'Angelo April 23, 2014 | 5:00am
A Haunted House 2 is better than its predecessor, but that ain’t saying much By Ignatiy Vishnevetsky April 18, 2014 | 6:15pm
The documentary Manakamana offers two hours of prime people watching By A.A. Dowd April 17, 2014 | 5:00pm
The Final Member is surprisingly moving—for a doc about a penis museum By Ben Kenigsberg April 17, 2014 | 3:00pm
There’s nothing worth savoring on this Tasting Menu By Mike D'Angelo April 17, 2014 | 2:00pm
Johnny Depp gets digitized in the silly sci-fi polemic Transcendence By A.A. Dowd April 17, 2014 | 5:00am
Woody Allen plays a pimp—yes, really—in John Turturro’s Fading Gigolo By Ben Kenigsberg April 17, 2014 | 5:00am
The thriller Proxy is at its best when throwing viewers for a loop By A.A. Dowd April 17, 2014 | 5:00am
Breaking The Waves was a major turning point in Lars Von Trier’s career By Mike D'Angelo April 16, 2014 | 5:00am
Heaven Is For Real preaches to the choir but sometimes looks good doing it By Ignatiy Vishnevetsky April 16, 2014 | 5:00am
Colin Firth confronts his demons—and an old foe—in The Railway Man By A.A. Dowd April 10, 2014 | 5:00pm

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