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Pleasure provides an unflinching look at the adult film industry By Brent Simon May 12, 2022 | 12:15am
Jarrod Carmichael's On The Count Of Three is no laughing matter By Martin Tsai May 11, 2022 | 1:00pm
In Montana Story, Big Sky Country hides big family secrets By Mark Keizer May 10, 2022 | 9:00pm
Men is a thrilling, deranged horror masterpiece By Jordan Hoffman May 9, 2022 | 4:00pm
Homebound's domestic cliches deliver lackluster chills By Leigh Monson May 8, 2022 | 1:00pm
Operation Mincemeat delivers an intriguing espionage thriller with classic British restraint By Brent Simon May 6, 2022 | 10:00pm
Happening enters the Roe v. Wade debate with (unfortunately) perfect timing By Martin Tsai May 5, 2022 | 1:00am
The Twin wishes it were identical to better horror films By Luke Y. Thompson May 3, 2022 | 9:30pm
The Ravine seeks easy conclusions from complicated crimes By Leigh Monson May 3, 2022 | 2:00pm
Doctor Strange offers a meandering, messy multiverse By Todd Gilchrist May 3, 2022 | 1:00pm
Gaspar Noé's splendid Vortex explores a more conventional, but no less harrowing horror—old age By Luke Y. Thompson May 2, 2022 | 11:00am
In The Aviary, Malin Akerman and Lorenza Izzo flee a cult leader’s mesmerizing control By Courtney Howard April 29, 2022 | 4:30pm
Despite a gifted cast, Memory only evokes better films By Luke Y. Thompson April 27, 2022 | 4:00pm
Hatching turns an odd bird’s shell into a nesting doll of dysfunction By Richard Newby April 27, 2022 | 3:33pm
In Firebird, a gay love affair leads to sorrow, tragedy and too much melodrama By Mark Keizer April 26, 2022 | 9:00pm
Anaïs In Love wins over audiences with its heroine's consummate French charms By Jordan Hoffman April 26, 2022 | 8:00pm
The Bad Guys is just good enough By Luke Y. Thompson April 21, 2022 | 4:45pm
The Duke delivers a heartwarming take on a strange-but-true heist By Brent Simon April 20, 2022 | 3:30am
9 Bullets is a misfire, despite taking aim at some easy targets By Courtney Howard April 18, 2022 | 10:00pm
The Cellar turns a terrific horror short into a longer—but not better—film By Richard Newby April 15, 2022 | 4:00pm
Chariot aspires to Lynchian surrealism, but falls short By Luke Y. Thompson April 15, 2022 | 9:00am

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