pm_article_index_cnt: 13838
pm_article_index_cnt: SELECT
ID,
post_title,
post_date,
lead_img_url,
permalink,
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FROM pm_article_index
WHERE 1=1
AND MATCH(article_category) AGAINST('+|film|' IN BOOLEAN MODE)
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ORDER BY post_date DESC
LIMIT 108 OFFSET 3996
It Follows is a new classic of both horror and coming-of-age cinemaBy A.A. Dowd March 12, 2015 | 5:00am
Ethan Hawke pays tribute to a great teacher in Seymour: An Introduction
By Mike D'Angelo March 12, 2015 | 5:00am
In style but not story, The Soft Skin is Truffaut going Hitchcock
By Mike D'Angelo March 11, 2015 | 5:00am
Chappie suggests that District 9 director Neill Blomkamp could use a hard resetBy A.A. Dowd March 5, 2015 | 8:12pm
Lost Soul swaps war stories from 1996’s troubled flop The Island Of Dr. Moreau By Alex McLevy March 5, 2015 | 6:00pm
The end times are a good time for boring nobility in These Final Hours
By Vadim Rizov March 5, 2015 | 5:00pm
Kidnapping Mr. Heineken is as lousy as its lager namesakeBy Keith Uhlich March 5, 2015 | 4:00pm
New York romance X/Y is both terrible and terrific, depending on the scene
By Mike D'Angelo March 5, 2015 | 3:00pm
Vince Vaughn goes soft again in the faux-raunchy Unfinished Business
By Jesse Hassenger March 5, 2015 | 2:51pm
Faults slowly, skillfully transforms from one kind of movie to anotherBy Mike D'Angelo March 5, 2015 | 2:00pm
A small-time swindler loses his mind in the darkly funny Buzzard
By Ignatiy Vishnevetsky March 5, 2015 | 6:00am
Forest Whitaker is a parolee trying to start over in Two Men In Town
By Ignatiy Vishnevetsky March 5, 2015 | 6:00am
This is, indeed, The Second Best Exotic Marigold Hotel
By A.A. Dowd March 5, 2015 | 6:00am
Merchants Of Doubt is an artless, toothless look at the expert-for-hire industryBy Ignatiy Vishnevetsky March 5, 2015 | 6:00am
Captive wasn’t the breakthrough many expected of its Pinoy directorBy Ignatiy Vishnevetsky March 4, 2015 | 6:00am
The Lesson could use a lesson in dramatic restraintBy A.A. Dowd March 3, 2015 | 6:00am
You won’t need 100 percent of your brain to dismiss The Lazarus Effect
By A.A. Dowd February 26, 2015 | 8:05pm
My Life Directed By Nicolas Winding Refn is a familiar account of an unusual filmBy Katie Rife February 26, 2015 | 4:00pm
Bluebird bears an unflattering resemblance to a much better filmBy Mike D'Angelo February 26, 2015 | 3:00pm
Everly puts a scantily clad Salma Hayek on the warpath, but the fun is cannedBy Vadim Rizov February 26, 2015 | 2:00pm
Will Smith tries his hand at being Cary Grant in Focus
By Ignatiy Vishnevetsky February 26, 2015 | 6:00am
Mads Mikkelsen takes revenge in the West in The Salvation
By Ignatiy Vishnevetsky February 26, 2015 | 6:00am
David Cronenberg draws his Maps To The Stars in broad strokes
By A.A. Dowd February 26, 2015 | 6:00am
The Hunting Ground takes a hard look at campus rape and colleges that condone itBy Jesse Hassenger February 26, 2015 | 6:00am
’71 was a dangerous year to roam the streets of Belfast, Northern IrelandBy Mike D'Angelo February 26, 2015 | 6:00am
Fellini Satyricon is the Italian director at his most decadent and tediousBy Mike D'Angelo February 25, 2015 | 6:00am
Dead bodies and screwball romance mix beautifully in Wild Canaries
By A.A. Dowd February 24, 2015 | 6:00am
Hot Tub Time Machine 2 goes back to the Jacuzzi with diminishing returnsBy Ignatiy Vishnevetsky February 19, 2015 | 5:16pm
The most memorable thing about The DUFF is its ugly-duckling heroine
By Katie Rife February 19, 2015 | 2:56pm
An Oscar-nominated anthology offers 6 darkly comic Wild Tales
By A.A. Dowd February 19, 2015 | 6:00am
Approaching The Elephant roams the chaotic halls of a free schoolBy A.A. Dowd February 19, 2015 | 6:00am
Adam Green plays fast and loose with found footage in Digging Up The Marrow
By Ignatiy Vishnevetsky February 19, 2015 | 6:00am
There’s nothing remotely wild about the indie mope-fest All The Wilderness
By Mike D'Angelo February 19, 2015 | 6:00am
Disney’s McFarland, USA is an inspirational sports movie that rarely inspires
By Jesse Hassenger February 19, 2015 | 6:00am
Ozu ended his career on a typically melancholy note with An Autumn Afternoon
By Mike D'Angelo February 18, 2015 | 6:00am
John Boorman’s Queen & Country doesn’t work as a sequel to his Hope And Glory
By Mike D'Angelo February 17, 2015 | 6:00am
More ironic than erotic, Fifty Shades Of Grey at least improves on the book
By Katie Rife February 12, 2015 | 6:21pm
Aussie zombie flick Wyrmwood is dead on arrival
By Kiva Reardon February 12, 2015 | 5:00pm
The Israeli sequel Gett brings a failing marriage into the courtroom
By Keith Uhlich February 12, 2015 | 4:00pm
The Rewrite recalls an ancient era of better Hugh Grant vehiclesBy Jesse Hassenger February 12, 2015 | 3:00pm
David Cross’ first feature, Hits , loses its charm when it gets on message
By Jesse Hassenger February 12, 2015 | 2:00pm
Spike Lee’s Da Sweet Blood Of Jesus could use a transfusion of passion
By A.A. Dowd February 12, 2015 | 6:00am
The Last Five Years provides Anna Kendrick the musical showcase she deservesBy Jesse Hassenger February 12, 2015 | 6:00am
Vampires make for bad roomies in the Kiwi mock-doc What We Do In The Shadows
By Mike D'Angelo February 12, 2015 | 6:00am
Kingsman is a slick, gory spy pastiche—just don’t think about it too hardBy Ignatiy Vishnevetsky February 12, 2015 | 6:00am
Old Fashioned bills itself as the Evangelical answer to Fifty Shades Of Grey By Ignatiy Vishnevetsky February 12, 2015 | 6:00am
Jean Renoir’s “A Day In The Country” makes the case for “incomplete” art
By Mike D'Angelo February 11, 2015 | 6:00am
David O. Russell disowned Accidental Love for good reason
By A.A. Dowd February 10, 2015 | 9:20pm
Witch-hunter Jeff Bridges is the most interesting part of the mostly dull Seventh Son
By Ignatiy Vishnevetsky February 5, 2015 | 8:57pm
Ballet 422 captures the punishing hardship of putting on a showBy Keith Uhlich February 5, 2015 | 6:00am
Love, Rosie is pregnant with dumb contrivances, even by rom-com standardsBy Mike D'Angelo February 5, 2015 | 6:00am
Lame EDM thriller Enter The Dangerous Mind has all the wrong moves
By Jesse Hassenger February 5, 2015 | 6:00am
The Wachowskis go for broke with the goofy space opera Jupiter Ascending
By Ignatiy Vishnevetsky February 5, 2015 | 6:00am
Ryan Reynolds answers to The Voices in a schizophrenic horror comedy
By A.A. Dowd February 5, 2015 | 6:00am
Sponge Out Of Water proves that SpongeBob should hit dry land more oftenBy Gwen Ihnat February 5, 2015 | 6:00am
Jean-Luc Godard re-booted his career with Every Man For Himself
By Ignatiy Vishnevetsky February 4, 2015 | 6:00am
It would take a time machine to fix the problems with Project Almanac
By A.A. Dowd January 30, 2015 | 7:04pm
Despite its racy premise, The Loft is too sloppy to be shocking
By Katie Rife January 30, 2015 | 6:00pm
Black Or White proves that Mike Binder has no business making a race dramaBy A.A. Dowd January 30, 2015 | 6:00am
Amira & Sam ’s cultural divide doesn’t liven up a clichéd genre pieceBy Nick Schager January 29, 2015 | 6:00am
Though shot in less than 12 years, Girlhood has its own insights about growing up
By Jesse Hassenger January 29, 2015 | 6:00am
Alien Outpost is like Restrepo with aliens, which is much less cool than it soundsBy Keith Uhlich January 29, 2015 | 6:00am
Hard To Be A God will take you to a world of shitBy Ignatiy Vishnevetsky January 29, 2015 | 6:00am
Timbuktu moves from wry comedy to deep horrorBy Ignatiy Vishnevetsky January 29, 2015 | 6:00am
Jason Statham fills Burt Reynolds’ shoes in Wild Card
By Josh Modell January 29, 2015 | 6:00am
Lucrecia Martel’s budding talent is on display in La Ciénaga
By Mike D'Angelo January 28, 2015 | 6:00am
Those with a tolerance for Johnny Depp goofing around may actually dig Mortdecai
By Jesse Hassenger January 23, 2015 | 4:40pm
Jude Law plunges headlong into the bleak waters of Black Sea
By A.A. Dowd January 22, 2015 | 6:00pm
R100 is a comedy that plays without a safe wordBy Katie Rife January 22, 2015 | 4:00pm
Anne Hathaway takes a musical tour of a gentrified Brooklyn in Song One
By Jesse Hassenger January 22, 2015 | 3:00pm
Son Of A Gun starts as a cool prison film, then devolves into generic schlockBy Mike D'Angelo January 22, 2015 | 2:00pm
Lucasfilm’s Strange Magic is the Moulin Rouge of animated features
By Jesse Hassenger January 22, 2015 | 6:00am
Al Pacino is the faded star of a witless Philip Roth adaptation, The Humbling
By A.A. Dowd January 22, 2015 | 6:00am
The Duke Of Burgundy is a beautiful love story disguised as stylish smutBy Mike D'Angelo January 22, 2015 | 6:00am
The Boy Next Door offers Jennifer Lopez an unabashedly trashy thrillerBy Ignatiy Vishnevetsky January 22, 2015 | 6:00am
Cake is Jennifer Aniston’s half-baked attempt to be taken seriouslyBy Jenni Miller January 22, 2015 | 6:00am
The Palm Beach Story is among the most pragmatic of screwball comediesBy Mike D'Angelo January 21, 2015 | 6:00am
Sarah Michelle Gellar vehicle Veronika Decides To Die should have stayed dead
By Keith Uhlich January 20, 2015 | 6:00am
Spare Parts rushes its novel spin on inspirational-teacher conventionsBy Jesse Hassenger January 16, 2015 | 6:25pm
The Wedding Ringer is a 100-minute gay joke masquerading as a buddy comedyBy A.A. Dowd January 15, 2015 | 8:09pm
The dark indie drama Medeas twists the Greek myth for which it’s named
By Kiva Reardon January 15, 2015 | 4:00pm
Eddie Marsan is a cardboard saint in the sentimental Still Life
By Benjamin Mercer January 15, 2015 | 3:00pm
The bargain-bin sci-fi thriller Vice proves bad doesn’t have to be boring
By Ignatiy Vishnevetsky January 15, 2015 | 6:00am
Appropriate Behavior is a flawed but promising debut from a new Girls co-starBy Jesse Hassenger January 15, 2015 | 6:00am
Elizabeth Banks broods hard in the tiresome drama Little Accidents
By Keith Uhlich January 15, 2015 | 6:00am
Michael Mann returns with the rough-and-tumble Blackhat
By Ignatiy Vishnevetsky January 15, 2015 | 6:00am
There’s a little too much Crash in the Italian award-winner Human Capital
By Mike D'Angelo January 14, 2015 | 6:00am
With Match , playwright Stephen Belber recycles elements from his earlier Tape
By Mike D'Angelo January 14, 2015 | 6:00am
Fassbinder transforms his own stage play, The Bitter Tears Of Petra Von Kant
By Mike D'Angelo January 14, 2015 | 6:00am
Paddington is a sweet, playful take on a children’s classicBy Ignatiy Vishnevetsky January 13, 2015 | 6:40pm
The trilogy-capping Taken 3 is action-movie slop
By Ignatiy Vishnevetsky January 9, 2015 | 6:15pm
When Evening Falls On Bucharest, Or Metabolism is as unusual as its titleBy Mike D'Angelo January 8, 2015 | 6:00am
Predestination gives a famous time-travel story the Chris Nolan treatmentBy A.A. Dowd January 8, 2015 | 6:00am
Beloved Sisters is a period romance paced like a proceduralBy Ignatiy Vishnevetsky January 8, 2015 | 6:00am
The Sword Of Doom lives up to its pulpy American titleBy Mike D'Angelo January 7, 2015 | 6:00am
A zombie franchise returns to form with [REC] 4: Apocalypse
By Katie Rife January 2, 2015 | 6:03pm
Tsui Hark transforms a Maoist chestnut into The Taking Of Tiger Mountain 3D
By Ignatiy Vishnevetsky January 2, 2015 | 6:00pm
Angel Of Death treads the same haunted ground as the first Woman In Black By Jesse Hassenger January 2, 2015 | 6:00pm
J.C. Chandor takes another left turn with the gritty A Most Violent Year
By Mike D'Angelo December 29, 2014 | 6:00am
The Interview is a triumph of free speech, not of sharp satireBy Ben Kenigsberg December 24, 2014 | 4:45pm
Angelina Jolie’s Unbroken is an unintentionally campy POW biopic
By Keith Uhlich December 23, 2014 | 6:00am
Selma is at once a peek into the past and a snapshot of the presentBy A.A. Dowd December 23, 2014 | 6:00am
The biopic Big Eyes adds another misfit to Tim Burton’s gallery
By A.A. Dowd December 23, 2014 | 6:00am
Marion Cotillard is a weekend warrior in the beautiful Two Days, One Night
By A.A. Dowd December 23, 2014 | 6:00am
Into The Woods is a Rob Marshall musical that’s not ashamed to be a musicalBy Jesse Hassenger December 23, 2014 | 6:00am
Fighting city hall has dire consequences in the Russian downer Leviathan
By Mike D'Angelo December 23, 2014 | 6:00am
Clint Eastwood’s American Sniper is a war movie that’s tensest on the home front
By Ignatiy Vishnevetsky December 23, 2014 | 6:00am
This year’s Palme D’Or winner, Winter Sleep , may be too much of a good thing
By Mike D'Angelo December 18, 2014 | 6:00am
![A zombie franchise returns to form with [REC] 4: Apocalypse](https://img.pastemagazine.com/wp-content/avuploads/2015/01/14223042/h7zxzva9kwnarseo4v9w_sq.jpg)
