Film Reviews

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Studio Ghibli delivers a new masterpiece with The Tale Of The Princess Kaguya By David Ehrlich October 16, 2014 | 5:00am
David Ayer’s gory Fury delivers cheap shocks By Ignatiy Vishnevetsky October 16, 2014 | 5:00am
Historical inaccuracies aside, My Darling Clementine is a Western for the ages By Mike D'Angelo October 15, 2014 | 5:00am
A plot to blow up Paris is the dramatic crux of the stagy Diplomacy By Nick Schager October 14, 2014 | 5:00am
Chris Pine leads a demented ride through L.A. excess in Stretch By Ignatiy Vishnevetsky October 9, 2014 | 5:00pm
Antonio Banderas gets his I, Robot on in the dreary sci-fi thriller Autómata By Vadim Rizov October 9, 2014 | 4:00pm
Red Vs. Dead is vastly superior to the original Dead Snow By Mike D'Angelo October 9, 2014 | 3:00pm
Her trumps Him in the double-bill version of The Disappearance Of Eleanor Rigby By A.A. Dowd October 9, 2014 | 3:00pm
The architecture is more interesting than the drama in You’re Not You By Ignatiy Vishnevetsky October 9, 2014 | 1:00pm
Alexander And The Terrible, Horrible, No Good, Very Bad Day is actually pretty good By Katie Rife October 9, 2014 | 5:00am
Robert Downey Jr. and Robert Duvall carry the generic legal drama The Judge By Ignatiy Vishnevetsky October 9, 2014 | 5:00am
The thrilling Whiplash demolishes the clichés of inspirational-teacher cinema By A.A. Dowd October 9, 2014 | 5:00am
Bill Murray does his best with a sitcom role in St. Vincent By Jesse Hassenger October 9, 2014 | 5:00am
One Chance gives a talent-show sensation the corny biopic treatment By David Ehrlich October 9, 2014 | 5:00am
The Overnighters is a documentary as dramatic as any fiction film By A.A. Dowd October 9, 2014 | 5:00am
Jeremy Renner chases leads in the overly familiar Kill The Messenger By Jesse Hassenger October 9, 2014 | 5:00am
This Dracula should have remained Untold By A.A. Dowd October 9, 2014 | 5:00am
Hindsight hasn’t been kind to the icky French “classic” Sundays And Cybèle By Mike D'Angelo October 8, 2014 | 5:00am
Jazz legend Clark Terry finds a new protégé in Keep On Keepin’ On By A.A. Dowd October 3, 2014 | 5:00am
Last Hijack uses animation to explore the past and present of a Somali pirate By David Ehrlich October 2, 2014 | 5:00pm
Mathieu Amalric makes a puzzle out of a love affair with The Blue Room By Ignatiy Vishnevetsky October 2, 2014 | 5:00pm
Stephen King adapts a bad movie out of his own A Good Marriage By Kiva Reardon October 2, 2014 | 4:00pm
John Cusack and Thomas Jane Drive Hard in a brainless action vehicle By Jesse Hassenger October 2, 2014 | 3:00pm
Annabelle is a cheap (and cheaply effective) spin-off of The Conjuring By A.A. Dowd October 2, 2014 | 5:00am
Harmontown documents the Community guru’s highs and lows By Josh Modell October 2, 2014 | 5:00am
God only knows how they made a worse version of Left Behind By A.A. Dowd October 2, 2014 | 5:00am
Gone Girl is a trick only David Fincher could pull off By Ignatiy Vishnevetsky October 2, 2014 | 5:00am
The director of Monsieur Lazhar makes an awkward English-language debut with The Good Lie By Ignatiy Vishnevetsky October 2, 2014 | 5:00am
Despite a game Edgar Ramírez, The Liberator lacks the vigor of Carlos By Mike D'Angelo October 2, 2014 | 5:00am
Just in time for Halloween, Criterion releases horror classic The Innocents By David Ehrlich October 1, 2014 | 5:00am
Nas doc Time Is Illmatic works best when telling the story of a family and a neighborhood By Andrea Battleground September 30, 2014 | 5:00am
Men, Women & Children is an Internet Age cautionary tale By Mike D'Angelo September 30, 2014 | 5:00am
Despite its unique subject matter, Lilting is mostly a misstep By Vadim Rizov September 25, 2014 | 4:00pm
The Somali pirate flick Fishing Without Nets floats by on style By Ignatiy Vishnevetsky September 25, 2014 | 3:00pm
The admirably abrasive Hellaware takes aim at the ugliness of the art world By Benjamin Mercer September 25, 2014 | 3:00pm
James Franco and Kate Hudson don’t so much play Good People as hapless morons By Mike D'Angelo September 25, 2014 | 2:00pm
Advanced Style is a charming but thin ode to aged fashionistas By David Ehrlich September 25, 2014 | 2:00pm
Miles Teller and Analeigh Tipton share a talky, uneven Two Night Stand By Jenni Miller September 25, 2014 | 1:00pm
Kevin Kline battles the competing dark and cheery tones of My Old Lady By Mike D'Angelo September 25, 2014 | 1:00pm
Training Day fans should lower their expectations for The Equalizer By A.A. Dowd September 25, 2014 | 5:00am
A lack of Hendrix songs isn’t the big problem with Jimi: All Is By My Side By Jesse Hassenger September 25, 2014 | 5:00am
The makers of Coraline return with another morbid marvel, The Boxtrolls By A.A. Dowd September 25, 2014 | 5:00am
The cornball Pride is a crowd-pleaser that actually pleases By A.A. Dowd September 25, 2014 | 5:00am
Viggo Mortensen is a cornered con man in The Two Faces Of January By Ignatiy Vishnevetsky September 25, 2014 | 5:00am
Roman Polanski’s Macbeth is a bloody, boldly cinematic take on the Bard By Mike D'Angelo September 24, 2014 | 5:00am
Tracks is a meaningless journey through the Australian landscape By Ignatiy Vishnevetsky September 19, 2014 | 5:40pm
Simon Pegg is a tourist on a mission in Hector And The Search For Happiness By A.A. Dowd September 19, 2014 | 5:00pm
Atlas Shrugged, Part III plays like a cheap knock-off of itself By Ignatiy Vishnevetsky September 19, 2014 | 3:50pm
Terry Gilliam tediously repeats himself with The Zero Theorem By Mike D'Angelo September 18, 2014 | 5:00am
Fort Bliss is an uneven showcase for the steely talents of Michelle Monaghan By Jesse Hassenger September 18, 2014 | 5:00am
The Maze Runner is a leaner, meaner outgrowth of the ongoing YA boom By A.A. Dowd September 18, 2014 | 5:00am
This Is Where I Leave You stifles its great cast with sitcomish dramedy By A.A. Dowd September 18, 2014 | 5:00am
Scott Frank and Liam Neeson struggle to elevate A Walk Among The Tombstones By Ignatiy Vishnevetsky September 18, 2014 | 5:00am
Kevin Smith’s Tusk is little more than the cinematic equivalent of a dare By Mike D'Angelo September 18, 2014 | 5:00am
David Lynch’s Eraserhead remains one of cinema’s most unsettling nightmares By Mike D'Angelo September 17, 2014 | 5:00am
The Guest expertly blends everything from The Terminator to Halloween to Drive By A.A. Dowd September 16, 2014 | 5:00am
20,000 Days On Earth dredges the drama and depth of Nick Cave By Jason Heller September 16, 2014 | 5:00am
Idris Elba stalks Taraji P. Henson in the suspense-free thriller No Good Deed By Jesse Hassenger September 12, 2014 | 7:06pm
The son of a Hamas leader becomes an Israeli informant in The Green Prince By Benjamin Mercer September 11, 2014 | 5:00am
Two-part romance The Disappearance Of Eleanor Rigby is cut into a single film By Jesse Hassenger September 11, 2014 | 5:00am
Kristen Wiig and Bill Hader elevate the indie clichés of The Skeleton Twins By A.A. Dowd September 11, 2014 | 5:00am
The thrillingly unconventional Bird People tells parallel tales of liberation By Mike D'Angelo September 11, 2014 | 5:00am
The Drop puts Tom Hardy and the late James Gandolfini in hot water By A.A. Dowd September 11, 2014 | 5:00am
Stray Dogs is a tough but beautiful vision of life on the fringe By A.A. Dowd September 11, 2014 | 5:00am
Like its title character, Dolphin Tale 2 swims around in circles By Katie Rife September 11, 2014 | 5:00am
The Identical is an evangelical Elvis parable—no, really By Ignatiy Vishnevetsky September 4, 2014 | 5:00am
The sex comedy Wetlands is wonderfully filthy and wildly perverse By Jenni Miller September 4, 2014 | 5:00am
The blues-man drama Memphis is as ramshackle as its star, Willis Earl Beal By Vadim Rizov September 4, 2014 | 5:00am
The Longest Week is a derivative but promising feature debut By Mike D'Angelo September 4, 2014 | 5:00am
Indie rock star Stuart Murdoch channels his inner Richard Lester in God Help The Girl By Ignatiy Vishnevetsky September 4, 2014 | 5:00am
The Strange Color Of Your Body’s Tears tests the limits of stylistic showboating By A.A. Dowd September 4, 2014 | 5:00am
The bordertown drama Frontera seems caught between storytelling styles By Jesse Hassenger September 4, 2014 | 5:00am
Last Days In Vietnam offers an engrossing chronicle of the fall of Saigon By Mike D'Angelo September 4, 2014 | 5:00am
With Vengeance Is Mine, Imamura leaves the motives of a murderer mysterious By David Ehrlich September 3, 2014 | 5:00am
Despite a uniquely creepy setting, As Above, So Below scares up no new thrills By A.A. Dowd August 29, 2014 | 5:00pm
Life Of Crime plays like a Jackie Brown origin story By A.A. Dowd August 28, 2014 | 5:00am
Kevin Kline hammily impersonates Errol Flynn in The Last Of Robin Hood By Vadim Rizov August 28, 2014 | 5:00am
The Congress is a science-fiction fiasco of Southland Tales variety By Mike D'Angelo August 28, 2014 | 5:00am
The WWII miserablism of The Notebook is hard to handle By Benjamin Mercer August 28, 2014 | 5:00am
The November Man is the James Bond movie Roger Donaldson never got to make By Jesse Hassenger August 27, 2014 | 5:00pm
Starred Up is a brutal, but profoundly humane, look at prison life By Ignatiy Vishnevetsky August 27, 2014 | 5:00am
Metro Manila is a Nolanesque take on life and death in a big city slum By Ignatiy Vishnevetsky August 22, 2014 | 5:00am
A Dame To Kill For is a hollow shell of the original Sin City By A.A. Dowd August 21, 2014 | 9:38pm
Humble sports movie When The Game Stands Tall is easier to appreciate than enjoy By Ignatiy Vishnevetsky August 21, 2014 | 5:00am
Matthew Weiner’s Are You Here amounts to less than the sum of its parts By Ignatiy Vishnevetsky August 21, 2014 | 5:00am
Chloë Grace Moretz deserves better than generic YA adaptations like If I Stay By A.A. Dowd August 21, 2014 | 5:00am
The Possession Of Michael King is possessed by the spirit of better horror movies By Jesse Hassenger August 21, 2014 | 5:00am
Even fans of the out-and-proud Star Trek alum may be bored by To Be Takei By Vadim Rizov August 21, 2014 | 5:00am
Catherine Breillat unwisely conceals that Abuse Of Weakness is autobiographical By Mike D'Angelo August 21, 2014 | 5:00am
Love Is Strange updates Make Way For Tomorrow for a rocky new economic age By A.A. Dowd August 21, 2014 | 5:00am
To explain the true premise of The One I Love would be to spoil its fun By Mike D'Angelo August 21, 2014 | 5:00am
Tie Me Up! Tie Me Down! is one of Pedro Almodóvar’s ickiest movies By Mike D'Angelo August 20, 2014 | 5:00am
The literary adaptation Winter In The Blood is as confused as its drunken hero By Nick Schager August 19, 2014 | 5:00am
There’s Herzogian humor to the eco doc The Expedition To The End Of The World By David Ehrlich August 19, 2014 | 5:00am
The Expendables 3 embraces the franchise’s inner Saturday morning cartoon By Ignatiy Vishnevetsky August 14, 2014 | 7:57pm
Philippe Garrel tackles another doomed romance in Jealousy By Ignatiy Vishnevetsky August 14, 2014 | 5:00pm
True to its title, the horror film Septic Man is total crap By Jesse Hassenger August 14, 2014 | 5:00pm
The documentary Dinosaur 13 offers a one-sided take on a legal quagmire By A.A. Dowd August 14, 2014 | 5:00pm
Korean provocateur Kim Ki-duk plays castration for laughs in Moebius By Ignatiy Vishnevetsky August 14, 2014 | 5:00am
The Trip To Italy is just more of the same from Steve Coogan and Rob Brydon By Mike D'Angelo August 14, 2014 | 5:00am
The Giver has been reshaped to resemble the modern YA hits it inspired By A.A. Dowd August 14, 2014 | 5:00am
Life After Beth has a zombie Aubrey Plaza…and that’s about it By Mike D'Angelo August 14, 2014 | 5:00am
The indie comedy Frank conceals Michael Fassbender’s face, but not his talent By A.A. Dowd August 14, 2014 | 5:00am
Let’s Be Cops plays like an R-rated New Girl spinoff By A.A. Dowd August 13, 2014 | 7:02pm
John Cassavetes’ final major work, Love Streams, is an independent movie like no other By Ignatiy Vishnevetsky August 13, 2014 | 5:00am
Step Up All In reassembles the franchise ranks for an all-star sequel By Ignatiy Vishnevetsky August 8, 2014 | 7:27pm
Fifi Howls From Happiness depicts the final days of an Iranian artist By Benjamin Mercer August 7, 2014 | 5:00pm
About Alex shows why a millennial Big Chill makes little sense By Mike D'Angelo August 7, 2014 | 4:00pm

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