The Raveonettes seem content to simply squeeze every imaginable ounce of usable influence out of The Jesus And Mary…
Andrew Earles
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For their self-titled third album, the men of Simple Plan have stepped back, at least a little, from their roles as…
On album number five, Nada Surf still occupies a murky middle ground between mainstream pop and straightforward…
Keep Your Eyes Ahead, the fourth album by Portland duo The Helio Sequence, offers a window to an alternate universe…
Carbonas' self-titled third album offers proof that "punk-pop" needn't always be associated with adolescence, Fat…
It speaks volumes that, 40 years after the fact, nothing has even casually resembled the late-'60s/early-'70s run of…
The frequency of animal imagery in the naming of indie-rock bands has begun to translate into stylistic…
Monster Magnet's Dave Wyndorf has been dealt, or has dealt himself, a succession of losing and winning hands over…
Avenged Sevenfold's third album, 2005's City Of Evil, brought the band a hit ("Bat Country"), a headlining slot on…
Maynard James Keenan didn't just name his latest side project after a fictional band from Mr. Show; he was actually…
While the world wasn't looking, Enon created the dance-rock album of 2007. Grass Geysers… Carbon Clouds, the band's…
The Alchemy Index Vols. I & II is the pairing of two distinctly conceptual six-song EPs by So-Cal Warped Tour fave…
Y34RZ3R0R3M1X3D (pronounced "Year Zero remixed," naturally) may be the closest Trent Reznor ever gets to the…
Trees Outside The Academy is Thurston Moore's first album since 1995's Psychic Hearts to feature wall-to-wall pop…
Every contemporary aggro-noise band wants what Qui has: David Yow, the elder statesman who cut his teeth (among…
In the saturated parade of indie singer-songwriters, Michigan native Chris Bathgate carries enough bleak, brooding…
Mentor Tormentor should help shake some of the Elliott Smith comparisons that pop up in every single assessment of…
Turbonegro's 1997 wake-up call Ass Cobra set the bar for depraved, battering-ram garage-punk, but the new Retox is…
Recoil's fifth album, subHuman, sounds like music from another planet, so distant from current trends that it…
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