Dawes: Nothing Is Wrong
Taylor Goldsmith has several women on his mind throughout Dawes’ sumptuous sophomore effort Nothing Is Wrong, but only one makes him want to take it easy. On “Time Spent In Los Angeles,” Goldsmith spins a Tom Petty-esque yarn about a beguiling lady with “a special kind of sadness” and “a tragic set of charms” that reminds him of the noirish, sun-baked melancholy of home. Nothing Is Wrong has similar qualities, both embodying the unique emotional geography of L.A. (or an idea of L.A. informed by the famously dusky album cover for The Eagles’ Hotel California) and paying tribute to it from the weary vantage point of a traveling rock band. When Goldsmith sings that he wants to wrap this alluringly sorrowful woman in his arms, he’s really grasping for a version of Los Angeles that exists somewhere between reality and the romantically tumultuous setting of old Jackson Browne songs.