It's A Free World

Loach's reputation for
social realism threads back through 40 years of feature films; he's nearly
always had an interest in the ways individuals struggle against unyielding,
oft-nefarious institutions. But Wareing is atypically in-between, and Loach and
his longtime screenwriting partner Paul Laverty use her position to explore
their own frustration about a situation that seems increasingly impossible. The
villain of their piece is abstract: It's the decades of public policies that
have allowed businesses to hire undocumented workers with minimal
repercussions, while the workers themselves bear the weight of low wages, no
health benefits, and the ire of natives who believe the immigrants are stealing
their jobs.

The problem with It's A
Free World…,
as with a lot of Loach films of late, is that in spite of strong performances
and a taut narrative, the whole endeavor plays more like a position paper than
a movie. Loach and Laverty even include a scene where Wareing's father, a
stalwart supporter of Labour, lays out the arguments against what she's doing,
while she defends herself. Then there's the this-is-what-it-all-comes-down-to
scene where Wareing calls up a couple of her workers to service her sexually,
and the scene where one of Wareing's unpaid workers bluntly makes the movie's
point by asking her, "Are your children more important than ours?" Still, It's
A Free World…'s
dilemmas are undeniably thought-provoking. When Wareing is forced to tell a
group of workers that they have to keep working for no pay or risk never
getting paid at all, the situation is overly pointed. It's also true.