Jonathan Barnes: The Domino Men

Jonathan Barnes’ 2007 debut novel, The Somnambulist, crammed dozens of outlandish characters into a Victorian-era conspiracy plot, then added a touch of postmodern tomfoolery when the story’s narrator unexpectedly revealed himself as a major character. The semi-sequel The Domino Men moves into the present day—or at least Barnes’ version of the present day—and is less audacious in its universe-building than The Somnabulist, though it still plays some tricks with the storytelling. For its first hundred pages or so, Domino Men is told from the perspective of Henry Lamb, a former child actor turned London file clerk, who learns that his esteemed thespian grandfather—now coma-bound—is an agent of a covert organization known as The Directorate. Then, a third of the way through the book, an alternate narrator arrives, openly contemptuous of Henry, telling the inside story of Prince Arthur of The House Of Windsor, and the royal family’s centuries-old involvement in a plot to loose Leviathan upon the world.