Lost: “The Little Prince”

As rewarding as Lost’s back-and-forth storytelling style can be, it does have its limitations. Ever since Jack shouted “We have to go back!” to Kate at the end of Season Three, we’ve been watching him and the rest of “The Oceanic 6” struggle through their off-island lives; and now we’re watching some of them try to figure out how to return to the island. We’ve had a full year to follow their plight, if only in fragments. But Sawyer and Locke? For them, the O6 left like, what, a couple of days ago? And we’ve only been watching them deal with that situation for a few weeks. So when Locke talks about bringing the former castaways back it feels kind of… abrupt.
Or maybe it’s just that I’d be perfectly happy to spend the final year-plus of Lost hanging out with my Oceanic 6: Sawyer, Miles, Locke, Charlotte, Daniel and Juliet. Once again this week, the on-island action trumped what was going on in L.A. (even though the Los Angeles action is in the fyu-tcha!), and even though I acknowledge that the off-island business is vital to the overall narrative, until the final minutes I rarely felt the tingle of excitement with the present-day stuff as I did with all the crazy time-jumps and narrow escapes of the past.
I mean, where do I start with the island? Maybe with the enduring awesomeness of Sawyer, still playing the martyr with regards to Kate, mumbling “Doesn’t matter what I want” when asked for his opinions, yet curious enough about Locke’s plan to bring Kate back that he asks Locke, “What are you going to say to her?” Or maybe I should focus on the places in the island timeline where the I6 (my handy new nickname for them) jumped: first to the night that Boone died, and then to some unspecified future (which I’ll speculate on some in the CC&CAT section below), and then—and this is the coolest part—to the moment when Rousseau and her team arrives. Or wait, no, this is the coolest part: When Rousseau’s team drifts in on their life raft, they find a body floating in the water… and it’s Jin. Oh man.
But I don’t want to zip too quickly past the first item on that timeline list. Last year when I was blogging about the first three Lost seasons simultaneous to watching the fourth, I noted what a terrific episode Season One’s “Do No Harm” is, for the way it cross-cuts between Boone dying and Claire giving birth. I’ll get back to Claire in a moment, but I thought it was smart how tonight’s episode signified that other major event of that day, by showing the beam of light from The Swan’s hatch, right at Locke’s lowest moment. Locke looks spooked when he sees the beam across the island, and perhaps slightly ashamed at the memory of how he behaved that night. But when Sawyer asks him about it, Locke regains his quiet swagger and says, “I needed that pain to get to where I am now.” Just a really nice character moment—and well-earned.
Oh, and did I mention… Miles’ nose is bleeding! As so is Juliet’s! And Daniel wonders if Miles may have been on the island before! And when they get back to the camp on the beach, Vincent is missing and so is the zodiac! But there are some canoes there! And when they row row row the boats, gently around the island, they get shot at by mysterious strangers (from the fyu-tcha!)! Has the island ever been a more fun place to be?
Meanwhile, back in dumb ol’ Los Angeles, Kate’s chosen to get off the defensive and resolve her Aaron custody problem before she has to take it on the lam. She meets with Dan Norton of the law firm of Norton & Agostini, and tries to figure out who’s trying to take Aaron from her. The episode offers us all kinds of teases in that regard. Sun seems awfully eager to take care of Aaron during Kate’s meeting, and as soon as Kate leaves, Sun starts fingering a gun and flipping through a freshly delivered dossier on Ben and Jack. Pretty suspicious. On the other hand, the “previously on Lost” montage reminds us of the existence of Claire’s mother, Carole Littleton. And if you’re like me, I’m sure you were groaning, “So, it’s obviously going to be Claire’s mother,” and cursing the “previously” montage.
Only when Jack confronts Carole about her attempts to get Kate’s blood tested, she has no idea what he’s talking about. (And if you’re like me, I’m sure you were groaning, “Shut up, Jack,” and cursing under your breath.) Instead the mastermind behind Norton & Agostini is none other than Benjamin Linus. And I liked that the Lost team didn’t dither around trying to conceal that fact from us for another week or two. I also liked that Kate figures out Ben’s plan quickly herself, and he doesn’t try to hide it from her, either. I may have criticized the breakneak pace of last season’s finale and this season’s premiere, but ultimately I’m glad that Lost is staying in a high gear, moving the pieces into place quickly, even when the moves are a little lurching.
My major complaint about “The Little Prince” is that, well, it’s a Kate episode, and generally speaking, Kate episodes aren’t so good. (At least not after Season One.) As an actress Evangeline Lilly has a fine presence in certain situations—playful moments, or action, or tenderness—but as we learned during the cage sequences of Season Three, she’s not so good at fear and worry and straight romantic drama. Watching Kate fret is not my favorite way to spend an hour.
That said, I’ve got to give it up to Lilly for her look of frustration when Jack calls her and demands to see her. (It was a real “I wish I could quit you” moment… and not in a loving way.) And I thought it was kind of sweet the way she commented on Jack shaving his beard.