Thanks to its public domain status, George Romero’s Night Of The Living Dead (1968) has seen more home video…

One of the most underappreciated elements of cinema is the DVD commentary, if only for the moment the world…

CDs were supposed to be the indestructible answer to the problem of fragile media. They were easier to store than…

For decades, Circuit City was a popular, near-ubiquitous retailer of consumer electronics and physical media. But…

The people who brought DVDs into the world could never even agree on what the letters should stand for. It was…

Perhaps sensing that the world needs a good guffaw or two after weeks of grim headlines, considerate Imgur user zhuzu…

What would you do if The A.V. Club sang out of tune? Wait, don’t stand up and walk out on us, because this Joe…

The worst mistake a music documentary can make is to pull its punches and hide its subjects’ warts. What makes a…

Considering its cultural primacy, Bram Stoker’s Dracula has been remarkably ill served by the movies. The 1931 film…

The first time we see La Notte’s two protagonists—a long-married couple, Giovanni and Lidia Pontano—they’re so…

Vincent Price’s menacing presence and facial hair receive suitably adoring treatment courtesy of Scream Factory’s The…

With its designated chapter stops, which easily allow viewers to skip right to the good parts, this DVD set was made…

At the very end of last year’s critical/cinephile favorite Holy Motors, there’s an inexplicable moment (within the…

In 1948, Ingrid Bergman, at the height of her fame—she was between Hitchcock pictures at the time, Notorious and Unde…

Slacker may be the only film with a sensibility that’s discernible just by perusing its cast of characters.…

The condemned: Pawn (2013)

The Spy Who Came In From The Cold is about many things, but it’s mainly a film about Richard Burton’s face. Martin…

When Ernst Lubitsch borrowed the title for his comedy To Be Or Not To Be from Shakespeare’s most famous tragedy, he…

In a just world, Madhabi Mukherjee would have the same iconic presence in cinema history (for an American audience)…

The condemned: A Common Man (2012)