Blue Beetle review: DC’s Latino superhero gets an energetic origin story
Xolo Maridueña, Susan Sarandon, and George Lopez star in an adaptation that combines taut action with cultural specificity
 
                            Blue Beetle, the live-action onscreen debut of the DC Comics character and Warner Bros.’ first feature to center on a Latino superhero, arrives with much anticipation. After some major (and very public) wobbles earlier this year with the box office returns for Shazam: Fury Of The Gods and then the messy release of The Flash, DC Studios is clearly looking for a win this time out. Those inclined to read the tea leaves left behind by the previous regime may see the selection of Blue Beetle as a commitment to a more inclusive production slate, although others may view it as a calculated move to cash in on the entertainment preferences of one of the nation’s fastest growing demographics.
While recently installed DC Studios co-CEOs James Gunn and Peter Safran may be eyeing a franchise role for the character, Blue Beetle ultimately feels more like a teaser than a fully satisfying experience replete with memorable characters and impressive world-building. Ironically perhaps, the initial impression is almost similar to Gunn’s 2014 Guardians Of The Galaxy. A not-so-superhero feature that seemed to almost come out of nowhere, it briefly blazed like a comet, leaving audiences to wonder if there was any chance of repeating the feat in subsequent installments. Like Guardians, it’s likely that box office results will determine whether Blue Beetle turns out to be just an appetizer or the prelude to a fully loaded franchise feast.
Whatever the outcome, it’s clear that Blue Beetle’s superpower is its cultural specificity as it foregrounds Latino traditions and values in telling the story of recently graduated Jaime Reyes (Xolo Maridueña), who returns to his hometown of Palmera City to find his extended Mexican-American family in crisis. His parents, Alberto (Damían Alcázar) and Rocio (Elpidia Carrillo), are facing foreclosure on the family home they share with his younger sister Milagro (Belissa Escobedo), the kids’ grandmother Nana (Adriana Barraza), and their Uncle Rudy (George Lopez). Jaime attempts to help out the family by taking a low-level job at a hotel that’s part of the multinational Kord Industries conglomerate, but quickly runs into trouble.
This early sequence showcases screenwriter Gareth Dunnet-Alcocer and director Ángel Manuel Soto’s (Sundance award winner Charm City Kings) facility with adapting the DC Comics material. A quick series of scenes introduces Victoria Kord (Susan Sarandon) as the movie’s villain, flags her niece Jenny (Bruna Marquezine) as Jaime’s love interest, and demonstrates the Reyes kids’ contempt for the exploitative service economy in just a few minutes of screen time.
 
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
        