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An old-fashioned man of the sort who prefers classical music to modern, Alec Baldwin continues to wage war against the invention of photography, a mechanical obscenity that has replaced the more refined elegance of portrait miniatures, much as the paparazzo has replaced famous people not constantly being harassed on the street. And so it was that, upon seeing yet another camera today, Baldwin was moved to take a stand against modern vulgarity by pinning paparazzo Paul Adao to the hood of a car, after the latter began taking photos of Baldwin and his wife Hilaria, goddess of strained smiles, using one of those contraptions that Baldwin despises so very much.