Emilia Pérez director doesn’t get why Karla Sofía Gascón is doing all that Mary Kate Carr | February 5, 2025 Jacques Audiard says it’s hard for him to even “think back to the work I did with Karla Sofía” now.
New rom-com to explore liking piña coladas, getting caught in the rain Emma Keates | February 5, 2025 Rupert Holmes’ “Escape (The Piña Colada Song)” is getting the big screen treatment.
Mothers stand up to literal and figurative decay in Toxic Town first look Emma Keates | February 5, 2025 The four part Netflix series is based on England’s real-life Corby poisonings scandal.
Disney feels pretty good about its cable networks, actually Mary Kate Carr | February 5, 2025 Bob Iger says Disney’s linear assets are actually, well, assets.
A shocking allegation drives a parent-teacher conference into messy madness in Armand Natalia Keogan | February 5, 2025 Armand, which received the 2024 Caméra d’Or at Cannes, is a thrilling examination of parental folly that gradually loses focus.