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Chris Hemsworth reunites with some Marvel talent for the grisly but generic Extraction
By Ignatiy Vishnevetsky April 22, 2020 | 3:00pm
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Ghost Town Anthology creeps up on you with its haunting premise
By Mike D'Angelo April 21, 2020 | 7:00pm
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Braveheart gets another sort-of sequel with the meager Robert The Bruce
By Jesse Hassenger April 21, 2020 | 6:00pm
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Why Don’t You Just Die! is a euphoric dose of pitch-black Russian violence
By William Hughes April 21, 2020 | 4:00pm
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Endings, Beginnings is an endless slog
By Ignatiy Vishnevetsky April 16, 2020 | 3:05pm
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Elite academics meet gangland politics in the stylish teen drama Selah And The Spades
By Katie Rife April 15, 2020 | 8:45pm
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Fugitive thriller The Quarry stumbles during its slow trek into no country for old men
By Beatrice Loayza April 14, 2020 | 7:15pm
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Trolls World Tour is a shameless DreamWorks dance party you can attend from your couch
By Jesse Hassenger April 10, 2020 | 5:30pm
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Netflix’s Love Wedding Repeat adds some cringe to the rom-com
By Caroline Siede April 10, 2020 | 7:01am
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Master Of None’s Alan Yang retells his family’s immigration story in the poignant Tigertail
By Katie Rife April 10, 2020 | 7:00am
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Sea Fever is the accidental zeitgeist horror movie of our isolated here and now
By A.A. Dowd April 8, 2020 | 9:00pm
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The Grand Bizarre is a dazzling stop-motion marvel
By Mike D'Angelo April 7, 2020 | 5:00pm
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There’s a touch of fairy-tale Antichrist spookiness to the cult drama The Other Lamb
By A.A. Dowd April 3, 2020 | 5:30pm
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The Ed Helms cop comedy Coffee & Kareem is laziness masquerading as irreverence
By Jesse Hassenger April 3, 2020 | 7:00am
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Despite its intriguing title, Nona, If They Soak Me, I’ll Burn Them is as exciting as a wet firecracker
By Katie Rife April 2, 2020 | 4:00pm
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The anti-gerrymandering doc Slay The Dragon is an uninspired call to action
By Ignatiy Vishnevetsky March 31, 2020 | 10:21pm
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Netflix’s Crip Camp is a different kind of summer camp movie
By Katie Rife March 25, 2020 | 6:00pm
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Two new movies fail to exploit Jesse Eisenberg’s brainy talent and star power
By A.A. Dowd March 24, 2020 | 9:30pm
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Teen movie Banana Split is as artificial as fake fruit
By Ignatiy Vishnevetsky March 24, 2020 | 7:20pm
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The powerful Never Rarely Sometimes Always puts a human face on the right to choose
By Katie Rife March 12, 2020 | 8:45pm
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Archie from Riverdale finds love, faith, and a guitar in the blandly inspirational I Still Believe
By Allison Shoemaker March 11, 2020 | 9:00pm
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Vin Diesel’s comic-book potboiler Bloodshot is dumb fun dressed like smart sci-fi
By A.A. Dowd March 11, 2020 | 4:15pm
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The Hunt is an anemic political comedy wrapped in a blood-soaked thriller
By Katie Rife March 11, 2020 | 3:35pm
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There’s a hint of an even more fascinating story in Netflix’s true-crime drama Lost Girls
By Mike D'Angelo March 10, 2020 | 7:00pm
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Pete Davidson delivers small-time charms in Big Time Adolescence
By Caroline Siede March 10, 2020 | 5:30pm
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Gorgeous visuals make the shocking drama Swallow go down easy
By Katie Rife March 6, 2020 | 10:00pm
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Even Mark Wahlberg can do better than the forgettable Spenser Confidential
By Ignatiy Vishnevetsky March 6, 2020 | 8:00am
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Ken Loach grinds another honest man under the cruel gears of society in Sorry We Missed You
By A.A. Dowd March 5, 2020 | 4:25pm
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If you think you know what Bacurau is all about, keep watching
By Katie Rife March 4, 2020 | 11:30pm
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The style is thrilling, even when the story isn’t, in Chinese gangster noir The Wild Goose Lake
By Ignatiy Vishnevetsky March 4, 2020 | 7:00pm
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The Banker is rich only with biopic clichés
By Lawrence Garcia March 4, 2020 | 5:00pm
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Kelly Reichardt’s First Cow finds an American creation myth in a touching portrait of friendship
By A.A. Dowd March 4, 2020 | 3:50pm
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Ben Affleck dunks on his demons in the miraculously non-corny basketball drama The Way Back
By Charles Bramesco March 4, 2020 | 2:00pm
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Highbrow title aside, The Burnt Orange Heresy is a thriller of delectable surface pleasures
By Mike D'Angelo March 3, 2020 | 7:00pm
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Extra Ordinary is a warm, low-key trip to Ghostbusters territory
By Jesse Hassenger March 2, 2020 | 4:30pm
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Wendy is a glum gloss on Peter Pan from the director of Beasts Of The Southern Wild
By A.A. Dowd February 27, 2020 | 3:20pm
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Saint Frances finds grace, humor, and an ode to the female body in a familiar indie premise
By Beatrice Loayza February 26, 2020 | 8:00pm
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Greed, for lack of a better word, is not good
By Vikram Murthi February 26, 2020 | 5:35pm
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The KKK redemption drama Burden means well but misses the bigger picture
By Katie Rife February 26, 2020 | 4:00pm
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The Whistlers is a delectable deadpan noir
By Ignatiy Vishnevetsky February 25, 2020 | 9:00pm
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The Oscars should have made room for the intense and elemental A White, White Day
By Mike D'Angelo February 25, 2020 | 7:30pm
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A new version of The Invisible Man makes one of his victims intensely visible
By Jesse Hassenger February 25, 2020 | 7:00am
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Pixar loses a little of the magic with Onward
By A.A. Dowd February 21, 2020 | 5:45pm
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The spooky doll is an oddball delight, but Brahms: The Boy II is not
By Jesse Hassenger February 21, 2020 | 2:51pm
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Ana de Armas is way too good for the lousy, sub-De Palma thriller The Night Clerk
By Katie Rife February 20, 2020 | 2:00pm
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The Last Thing He Wanted is a thriller no one would want
By Ignatiy Vishnevetsky February 19, 2020 | 7:30pm
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With Young Ahmed, the Dardenne brothers fail to get inside the head of a teenage extremist
By A.A. Dowd February 19, 2020 | 5:00pm
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Love haunts Pedro Costa’s poetic and challenging Vitalina Varela
By Ignatiy Vishnevetsky February 19, 2020 | 4:00pm
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A holy man fakes it until he makes it in the moving, Oscar-nominated Corpus Christi
By Mike D'Angelo February 18, 2020 | 6:00pm
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Harrison Ford and Call Of The Wild get lost in the wilds of photorealistic animation
By Allison Shoemaker February 17, 2020 | 8:00pm
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Jane Austen's Emma gets an oddball, sumptuous, and smart new adaptation
By Caroline Siede February 17, 2020 | 7:14pm
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No fantasies will be fulfilled by Blumhouse’s horror-leaning reboot of Fantasy Island
By A.A. Dowd February 14, 2020 | 5:00pm
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Drenched in grit, gore, and neon, VFW is an action throwback that hits all the right notes
By Katie Rife February 13, 2020 | 9:15pm
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The Photograph only occasionally snaps into focus
By Caroline Siede February 13, 2020 | 5:00pm
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No digital makeover (or smaller teeth) can fix everything wrong with Sonic The Hedgehog
By A.A. Dowd February 13, 2020 | 6:00am
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The Berlin prizewinner I Was At Home, But... might be too inscrutable for its own good
By Ignatiy Vishnevetsky February 12, 2020 | 9:00pm
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There’s not enough Wallace & Gromit zaniness in the mild new Shaun The Sheep movie
By Ignatiy Vishnevetsky February 12, 2020 | 7:00pm
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Liam Neeson and Lesley Manville can’t cure what ails Ordinary Love
By Vikram Murthi February 12, 2020 | 4:00pm
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Being shot at the Olympics is about all the Nick Kroll romance Olympic Dreams has going for it
By Mike D'Angelo February 11, 2020 | 10:00pm
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Anger becomes action in the moving After Parkland
By Noel Murray February 11, 2020 | 9:00pm
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Netflix’s To All The Boys sequel charms, though not quite as much as the original
By Caroline Siede February 11, 2020 | 8:00pm
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Christmas comes late with the subzero horror and creeping religious dread of The Lodge
By A.A. Dowd February 8, 2020 | 12:00am
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Harley Quinn gets her groove back in DC’s wildly colorful, surprisingly gory Birds Of Prey
By Katie Rife February 6, 2020 | 9:00am
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Alison Brie commits to the slyly funny but frustratingly ambiguous Horse Girl
By Roxana Hadadi February 5, 2020 | 10:00pm
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Taboo romance gets a clumsy workout in And Then We Danced
By Ignatiy Vishnevetsky February 4, 2020 | 7:00pm
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Gretel And Hansel makes a spellbinding feast out of eerie atmosphere and occult imagery
By Katie Rife January 31, 2020 | 5:00pm
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Taylor Swift tiptoes toward something real in the Netflix documentary Miss Americana
By Josh Modell January 29, 2020 | 8:25pm
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Blake Lively gets the Bond treatment in the overcooked The Rhythm Section
By Ignatiy Vishnevetsky January 29, 2020 | 5:00pm
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It’s all Downhill for Will Ferrell and Julia Louis-Dreyfus in the broad Force Majeure remake
By A.A. Dowd January 29, 2020 | 3:30pm
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Sicily’s most notorious informant takes center stage in mob drama The Traitor
By Mike D'Angelo January 28, 2020 | 7:00pm
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A twisted friendship blossoms in the rubble of war in the Cannes award winner Beanpole
By Katie Rife January 27, 2020 | 11:00pm
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Harvey Weinstein is present through absence in Kitty Green’s gripping procedural The Assistant
By A.A. Dowd January 25, 2020 | 7:00pm
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There’s star power but no drama in feature-length salute to sacrifice The Last Full Measure
By Mike D'Angelo January 24, 2020 | 4:00am
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Color Out Of Space combines Nic Cage, Richard Stanley, and H.P. Lovecraft to predictably wild effect
By Katie Rife January 23, 2020 | 4:10pm
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The Turning drags The Turn Of The Screw into the ’90s, and then to a baffling dead end
By Jesse Hassenger January 23, 2020 | 7:00am
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Guy Ritchie stumbles through his greatest hits in the nostalgic crime caper The Gentlemen
By Vikram Murthi January 22, 2020 | 3:10pm
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It was worth the decade-long wait for Jia Zhangke’s portrait of Shanghai, I Wish I Knew
By Lawrence Garcia January 21, 2020 | 9:00pm
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Nocturama director Bertrand Bonello returns with the eerie and entrancing Zombi Child
By Ignatiy Vishnevetsky January 21, 2020 | 8:00pm
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Tyler Perry brings his dramatic clumsiness to Netflix with the thriller A Fall From Grace
By Jesse Hassenger January 17, 2020 | 7:30pm
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Found-footage comedy VHYes is less fun than the late-night TV it’s spoofing
By A.A. Dowd January 16, 2020 | 5:00pm
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Robert Downey Jr. could have done less in Dolittle
By Katie Rife January 15, 2020 | 7:30pm
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Without Michael Bay at the helm, Bad Boys For Life is an underwhelming sequel
By Ignatiy Vishnevetsky January 15, 2020 | 6:30pm
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Weathering With You is an odd, enchanting teen romance from the director of Your Name
By Noel Murray January 14, 2020 | 8:00pm
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The writer of Beasts Of The Southern Wild returns with the uneven but heartfelt Troop Zero
By Mike D'Angelo January 14, 2020 | 7:00pm
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The director of The Haunting Of Sharon Tate sets his ghoulish sights on The Murder Of Nicole Brown Simpson
By Katie Rife January 11, 2020 | 12:55am
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The derivative Alien gloss Underwater comes close to the platonic ideal of a January release
By Ignatiy Vishnevetsky January 9, 2020 | 10:05pm
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Tiffany Haddish and Rose Byrne are embattled BFFs in the stiff friend-com Like A Boss
By Katie Rife January 9, 2020 | 12:00am
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Parisian cop drama Les Misérables speaks the same righteous language as Victor Hugo
By Allison Shoemaker January 8, 2020 | 8:00pm
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Three Christs? In this economy?
By Vikram Murthi January 7, 2020 | 9:07pm
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The Grudge’s J-horror rehash is all wet
By Katie Rife January 3, 2020 | 8:30pm
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Alfre Woodard delivers the performance of her career in the subversive prison drama Clemency
By Roxana Hadadi December 19, 2019 | 6:00pm
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Yes, Cats is as bad as it looks
By Ignatiy Vishnevetsky December 19, 2019 | 1:45am
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The Song Of Names is a chore of a mystery, even though its resolution is very moving
By Mike D'Angelo December 18, 2019 | 10:30pm
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Oscar hopeful Invisible Life is a slog of misfortune, until its poignant ending
By Lawrence Garcia December 18, 2019 | 8:30pm
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The fights are weaker but the story is stronger in Donnie Yen’s final Ip Man movie
By Mike D'Angelo December 18, 2019 | 7:00pm
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The Rise Of Skywalker rebalances Star Wars into a force of safe, familiar fan service
By A.A. Dowd December 18, 2019 | 10:20am
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Michael B. Jordan and Jamie Foxx bring sensitivity to the routine legal drama Just Mercy
By Jesse Hassenger December 17, 2019 | 6:00pm
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Will Smith turns into a pigeon for Spies In Disguise, an animated caper for everyone or no one
By Jesse Hassenger December 16, 2019 | 2:00pm
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A new Black Christmas sharpens the feminist edge of the original but dulls its scares
By Beatrice Loayza December 13, 2019 | 7:00pm
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There’s little doubt or drama in Terrence Malick’s 3-hour tribute to moral resistance, A Hidden Life
By Mike D'Angelo December 12, 2019 | 9:20pm
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Michael Bay brings his action mayhem (and Ryan Reynolds) to Netflix with 6 Underground
By Jesse Hassenger December 12, 2019 | 5:00pm
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Adam Sandler delivers the performance of his career in the audacious stress-machine comedy Uncut Gems
By A.A. Dowd December 11, 2019 | 11:15pm
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What’s the point of a toothless Rabid remake?
By Katie Rife December 11, 2019 | 11:00pm
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Jumanji lacks replay value in The Next Level
By Ignatiy Vishnevetsky December 10, 2019 | 9:20pm
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Xavier Dolan vomits his feelings all over the incoherent Death And Life Of John F. Donovan
By Mike D'Angelo December 10, 2019 | 7:25pm
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Bombshell plays softball with Megyn Kelly and Fox News
By Katie Rife December 9, 2019 | 2:30pm
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Little Joe puts a creepily mundane art-house spin on Invasion Of The Body Snatchers
By A.A. Dowd December 7, 2019 | 1:00am
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Portrait Of A Lady On Fire is the year’s sexiest and most rapturously romantic love story
By A.A. Dowd December 6, 2019 | 6:25pm
