pm_article_index_cnt: 13837
pm_article_index_cnt: SELECT
ID,
post_title,
post_date,
lead_img_url,
permalink,
co_authors,
rating,
article_category
FROM pm_article_index
WHERE 1=1
AND MATCH(article_category) AGAINST('+|film|' IN BOOLEAN MODE)
AND article_type = '|reviews|'
ORDER BY post_date DESC
LIMIT 108 OFFSET 3564
Mustang is less a Turkish Virgin Suicides than a horror movie about patriarchy
By Mike D'Angelo November 19, 2015 | 6:00am
Todd Haynes goes back to the ’50s with a rapturous new romance, Carol
By Mike D'Angelo November 19, 2015 | 6:00am
Tom Hardy’s dual performance justifies the rote gangster drama Legend
By Noel Murray November 19, 2015 | 6:00am
Seth Rogen grows up yet again in The Night Before
By Jesse Hassenger November 19, 2015 | 6:00am
Mockingjay—Part 2 ends the Hunger Games series on a pretty dark note
By A.A. Dowd November 18, 2015 | 8:16pm
In Cold Blood remains an inspired hybrid of documentary and noir
By Noel Murray November 18, 2015 | 6:00am
It’s all fumbles in the gridiron tearjerker My All American
By A.A. Dowd November 12, 2015 | 8:55pm
The 33 is kind of like The Martian , only terrestrial and dull
By Benjamin Mercer November 12, 2015 | 5:01pm
Man Up only scores when Simon Pegg and Lake Bell rip into each other
By Mike D'Angelo November 12, 2015 | 5:00pm
The star-studded Heist would be a big zero without Robert De Niro
By Noel Murray November 12, 2015 | 4:00pm
Angelina Jolie’s By The Sea is devastatingly, ravishingly dull
By Katie Rife November 12, 2015 | 3:05pm
Take Shelter from any gritty drama that casts celebs as homeless people
By Mike D'Angelo November 12, 2015 | 3:00pm
An overqualified cast won’t make Love The Coopers a new holiday staple
By Jesse Hassenger November 12, 2015 | 6:00am
Dangerous Men is a singular movie-going experience (in a good way)
By Katie Rife November 12, 2015 | 6:00am
James White offers a rich exploration of an entitled asshole
By Noel Murray November 12, 2015 | 6:00am
Entertainment gives Neil Hamburger the alienating star vehicle he deserves
By A.A. Dowd November 12, 2015 | 6:00am
Code Unknown is the least hectoring film Michael Haneke has ever made
By Mike D'Angelo November 11, 2015 | 6:00am
Trumbo is a Hollywood history lesson with a slippery grasp on its subject
By Tasha Robinson November 5, 2015 | 6:00am
The Peanuts Movie mostly preserves the voice of Charles Schulz
By Jesse Hassenger November 5, 2015 | 6:00am
Miss You Already is tasteful about everything but the jokes
By Tasha Robinson November 5, 2015 | 6:00am
The gripping Spotlight pays tribute to the daily grind of journalism
By A.A. Dowd November 5, 2015 | 6:00am
Saoirse Ronan gives a winning performance in the rich romance Brooklyn
By Noel Murray November 5, 2015 | 6:00am
Unique and monumental, Out 1 is the most paranoid movie ever made
By Ignatiy Vishnevetsky November 5, 2015 | 6:00am
Theeb puts Jordanian cinema on the map with a simplistic adventure yarn
By Mike D'Angelo November 4, 2015 | 6:00am
Two old friends argue about their dads in the tense, blunt doc A Nazi Legacy
By Noel Murray November 4, 2015 | 6:00am
Spectre is the most traditional—and uneven—of the recent Bond films
By A.A. Dowd November 3, 2015 | 9:03pm
Frederick Wiseman’s In Jackson Heights reveals a lively cultural cross-section
By Mike D'Angelo November 3, 2015 | 6:00am
If Scouts Guide To The Zombie Apocalypse is the future, maybe the world should end
By Katie Rife October 29, 2015 | 3:32pm
Our Brand Is Crisis twists a hard doc into a soft Sandra Bullock vehicle
By A.A. Dowd October 29, 2015 | 5:00am
Love is another visually striking trip up director Gaspar Noé’s ass
By Ignatiy Vishnevetsky October 29, 2015 | 5:00am
Burnt can’t handle the heat, should have stayed out of the kitchen
By Ignatiy Vishnevetsky October 29, 2015 | 5:00am
A pro-life pastor pivots to an anti-gun message in The Armor Of Light
By Noel Murray October 29, 2015 | 5:00am
The Wonders is a charming slice-of-life portrait of Italian beekeepers
By Mike D'Angelo October 29, 2015 | 5:00am
Mulholland Dr. defined the modern puzzle-box movie
By Ignatiy Vishnevetsky October 28, 2015 | 5:00am
By showing the ghosts, The Ghost Dimension kills the Paranormal fun
By A.A. Dowd October 23, 2015 | 7:16pm
Jem And The Holograms gets a bizarre, cut-rate adaptation
By Ignatiy Vishnevetsky October 22, 2015 | 2:04pm
Extraordinary Tales showcases Poe in a seasonally appropriate anthology
By Tasha Robinson October 22, 2015 | 2:00pm
Nasty Baby is amiably aimless, until its ruinous final act
By Mike D'Angelo October 22, 2015 | 1:00pm
Kurt Russell and cannibals make strange bedfellows in Bone Tomahawk
By Katie Rife October 22, 2015 | 5:00am
Neither noble intentions nor Carey Mulligan can save Suffragette
By Jesse Hassenger October 22, 2015 | 5:00am
Sarah Silverman grapples with depression and a weak script in I Smile Back
By A.A. Dowd October 22, 2015 | 5:00am
The pulp mashup The Last Witch Hunter is squandered potential
By Ignatiy Vishnevetsky October 22, 2015 | 5:00am
Rock The Kasbah is a smaller, dumber Ishtar
By Tasha Robinson October 22, 2015 | 5:00am
The demented rap musical Tokyo Tribe is both exhilarating and exhausting
By Ignatiy Vishnevetsky October 22, 2015 | 5:00am
Japanese horror anthology Kwaidan is low on frights, very high on striking imagery
By Mike D'Angelo October 21, 2015 | 2:00pm
The Larry Fessenden Collection makes the case for an indie-horror iconoclast
By Noel Murray October 21, 2015 | 5:00am
Patricio Guzmán’s The Pearl Button meditates on the mystery of water
By Noel Murray October 20, 2015 | 5:00am
Heart Of A Dog isn’t a great movie, but it’s a wonderful Laurie Anderson album
By Mike D'Angelo October 20, 2015 | 5:00am
The Russian Woodpecker offers plenty of conspiracy, little evidence
By Mike D'Angelo October 15, 2015 | 3:00pm
Tales Of Halloween is a seasonal treat that’s (mostly) free of razor blades
By Katie Rife October 15, 2015 | 2:00pm
Experimenter fascinates when focusing on Stanley Milgram’s work, not his life
By Mike D'Angelo October 15, 2015 | 1:00pm
The Dan Rather/60 Minutes scandal gets ploddingly dramatized in Truth
By Noel Murray October 15, 2015 | 5:00am
Goosebumps bears little resemblance to the kid-lit horror books it pillages
By A.A. Dowd October 15, 2015 | 5:00am
Idris Elba highlights the flawed Beasts Of No Nation
By Ignatiy Vishnevetsky October 15, 2015 | 5:00am
The Assassin is as beautiful and transfixing as it is enigmatic
By Ignatiy Vishnevetsky October 15, 2015 | 5:00am
An imprisoned mother and child adjust to life inside (and out) in the moving Room
By Noel Murray October 15, 2015 | 5:00am
Sophia Loren and Marcello Mastroianni play against type in A Special Day
By Mike D'Angelo October 14, 2015 | 5:00am
Guillermo Del Toro’s Crimson Peak is gorgeous, tragic, and not very scary
By Katie Rife October 13, 2015 | 2:00pm
Tower Records is eulogized in the narrow but affecting All Things Must Pass
By Alex McLevy October 13, 2015 | 5:00am
Steven Spielberg’s superb Bridge Of Spies pits Tom Hanks against the Cold War
By Ignatiy Vishnevetsky October 12, 2015 | 5:00am
Junun is a lean and loose rock doc from Paul Thomas Anderson
By A.A. Dowd October 9, 2015 | 7:50pm
Victoria demonstrates why it’s a bad idea to shoot a movie in one take
By Mike D'Angelo October 8, 2015 | 3:00pm
Trash ’s heaviness smothers a slick Brazilian crime story
By Noel Murray October 8, 2015 | 2:00pm
Takashi Miike returns to midnight movies with the crazed Yakuza Apocalypse
By Ignatiy Vishnevetsky October 8, 2015 | 1:00pm
The tension between Aaron Sorkin and Danny Boyle drives Steve Jobs
By Jesse Hassenger October 8, 2015 | 5:00am
The Final Girls is a dopey horror spoof with a heart of gold
By Jesse Hassenger October 8, 2015 | 5:00am
The cornball Big Stone Gap should have stayed on the page
By A.A. Dowd October 8, 2015 | 5:00am
Pan scrambles a classic story into one strange mess
By Ignatiy Vishnevetsky October 8, 2015 | 5:00am
Keanu goes full Cage in Eli Roth’s sick home-invasion comedy Knock Knock
By A.A. Dowd October 8, 2015 | 5:00am
Gus Van Sant’s uneven career took off with the half-great My Own Private Idaho
By Mike D'Angelo October 7, 2015 | 5:00am
Guy Maddin’s The Forbidden Room is a hilarious nesting doll of lost cinema
By Mike D'Angelo October 6, 2015 | 5:00am
The gutsy (T)error embeds with an FBI sting gone awry
By Noel Murray October 6, 2015 | 5:00am
Julianne Moore lends dignity to award-season material with Freeheld
By Benjamin Mercer October 1, 2015 | 6:19pm
He Named Me Malala is a puff piece for an icon who doesn’t need one
By Ignatiy Vishnevetsky October 1, 2015 | 5:00am
Partisan raises interesting questions that it has no desire to answer
By Mike D'Angelo October 1, 2015 | 5:00am
The long-delayed spy flick Shanghai offers noir without the style
By Ignatiy Vishnevetsky October 1, 2015 | 5:00am
Jafar Panahi crashes the gates of censorship in a Taxi
By A.A. Dowd October 1, 2015 | 5:00am
Ridley Scott’s The Martian will give faith to secular science geeks
By Mike D'Angelo October 1, 2015 | 5:00am
Remember when Merchant Ivory was a brand to believe in, not an insult?
By Mike D'Angelo September 30, 2015 | 1:00pm
Teenage metalheads conjure a demon in the clever Kiwi comedy Deathgasm
By Noel Murray September 30, 2015 | 5:00am
The disturbing documentary Prophet’s Prey scrutinizes a polygamist community
By Noel Murray September 30, 2015 | 5:00am
Patricio Guzmán tells his story of Chile in an essential new box set
By Noel Murray September 30, 2015 | 5:00am
The Walk takes its time getting to the crime, but it’s worth the wait
By A.A. Dowd September 29, 2015 | 8:28pm
A lawyer chases Nazis in this so-so German drama
By Benjamin Mercer September 29, 2015 | 5:00am
Hotel Transylvania 2 mixes fun gags and creepy messages
By Jesse Hassenger September 25, 2015 | 12:19am
Eli Roth cannibalizes himself again with The Green Inferno
By A.A. Dowd September 24, 2015 | 5:00am
Michael Shannon is greed incarnate in Ramin Bahrani’s overwrought 99 Homes
By A.A. Dowd September 24, 2015 | 5:00am
Asia Argento mines her childhood for pandering decadence in Misunderstood
By Adam Nayman September 24, 2015 | 5:00am
The Keeping Room is another classed-up B-movie from the director of Harry Brown
By Ignatiy Vishnevetsky September 24, 2015 | 5:00am
Before it goes bust, Mississippi Grind is a very enjoyable buddy gambling flick
By Mike D'Angelo September 24, 2015 | 5:00am
De Niro and Hathaway charm their way through Nancy Meyers’ The Intern
By Jesse Hassenger September 24, 2015 | 5:00am
Drunk Stoned Brilliant Dead salutes the legacy of National Lampoon
By Mike D'Angelo September 24, 2015 | 5:00am
Stonewall shortchanges an era-defining moment
By Ignatiy Vishnevetsky September 24, 2015 | 5:00am
The director of Driving Miss Daisy chased that Oscar winner with Mister Johnson
By Mike D'Angelo September 23, 2015 | 5:00am
Arcade Fire deflects more than reflects in The Reflektor Tapes
By Josh Modell September 22, 2015 | 5:00am
Nic Cage is still haunted by better movies in Pay The Ghost
By Jesse Hassenger September 22, 2015 | 5:00am
Johnnie To’s Office twists corporate intrigue into an inspired musical
By Ignatiy Vishnevetsky September 18, 2015 | 7:07pm
The inspirational thriller Captive could have used more inspiration
By Benjamin Mercer September 18, 2015 | 3:48pm
Everest will make you want to stay indoors
By Katie Rife September 18, 2015 | 5:00am
Armenian genocide saga The Cut is a sluggish ode to survival
By Nick Schager September 17, 2015 | 3:00pm
Creepy-kid flick Hellions gets dragged down by its own eerie imagery
By Katie Rife September 17, 2015 | 2:00pm
It’s teachers versus zombie students in the horror comedy Cooties
By Nathan Rabin September 17, 2015 | 1:00pm
Black Mass features an understated gangster turn from Johnny Depp
By Jesse Hassenger September 17, 2015 | 5:00am
The Maze Runner sequel features no mazes, but plenty of running
By Tasha Robinson September 17, 2015 | 5:00am
The daring Sicario gives the strong female archetype a shock to the system
By Mike D'Angelo September 17, 2015 | 5:00am
The New Girlfriend is either a thorny thriller or a story of cross-dressing empowerment
By Mike D'Angelo September 17, 2015 | 5:00am
It’s like Sliding Doors , only political and made by the director of Three Colors
By Mike D'Angelo September 16, 2015 | 1:00pm
Russia is relentlessly bleak and corrupt in The Fool
By Vadim Rizov September 15, 2015 | 5:00am