pm_article_index_cnt: 13883
pm_article_index_cnt: SELECT
ID,
post_title,
post_date,
lead_img_url,
permalink,
co_authors,
rating,
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FROM pm_article_index
WHERE 1=1
AND MATCH(article_category) AGAINST('+|film|' IN BOOLEAN MODE)
AND article_type = '|reviews|'
ORDER BY post_date DESC
LIMIT 108 OFFSET 3456
Christ, The Young Messiah is dull
By Ignatiy Vishnevetsky March 11, 2016 | 7:41pm
The Perfect Match does a strange, hollow imitation of a rom-comBy Jesse Hassenger March 11, 2016 | 4:00pm
The claustrophobic 10 Cloverfield Lane is a sequel mostly just in name
By A.A. Dowd March 10, 2016 | 7:12pm
The joke can’t breathe in Sacha Baron Cohen’s The Brothers Grimsby
By Jesse Hassenger March 10, 2016 | 4:23pm
Sally Field shines in the meekly unconventional Hello, My Name Is Doris
By Katie Rife March 10, 2016 | 4:13pm
Only true ’90s kids will be able to sit through Max Landis’ Me Him Her
By Ignatiy Vishnevetsky March 10, 2016 | 6:00am
A Monty Python alum offers a cheeky economics lesson in Boom Bust Boom
By Noel Murray March 10, 2016 | 6:00am
Eye In The Sky isn’t quite the drone-age Dr. Strangelove it could have beenBy Adam Nayman March 10, 2016 | 6:00am
The sci-fi indie Creative Control imagines the hipster future
By Ignatiy Vishnevetsky March 10, 2016 | 6:00am
Atom Egoyan embraces his lurid side in the Nazi-hunt thriller Remember
By Mike D'Angelo March 10, 2016 | 6:00am
The director of Old Joy made her debut with terrific outlaw saga River Of Grass
By Mike D'Angelo March 10, 2016 | 6:00am
Julie Delpy’s Lolo is a comedy more dark than romantic
By Keith Uhlich March 8, 2016 | 6:00am
No talent is no problem for the rich wannabe opera singer of Marguerite
By Benjamin Mercer March 8, 2016 | 6:00am
Paris Belongs To Us is an eerie gem of the French New WaveBy Ignatiy Vishnevetsky March 5, 2016 | 6:00am
Grief, racial unease, and jump scares lie on The Other Side Of The Door
By A.A. Dowd March 4, 2016 | 11:23pm
Yasujirô Ozu’s quietly staggering Late Spring returns in a new restoration
By Ignatiy Vishnevetsky March 3, 2016 | 9:16pm
Camino squanders a dynamic talent on a lackluster storyBy Katie Rife March 3, 2016 | 6:36pm
The director of Uncle Boonmee returns with a double dose of magical realism
By A.A. Dowd March 3, 2016 | 4:00pm
They Will Have To Kill Us First is a doc with almost too many good subjectsBy Benjamin Mercer March 3, 2016 | 4:00pm
Don’t tell Mom the babysitter’s deranged, in the creepy Emelie
By Noel Murray March 3, 2016 | 3:00pm
The Wave proves Hollywood has no monopoly on thrilling disaster flicksBy Mike D'Angelo March 3, 2016 | 2:00pm
Whiskey Tango Foxtrot could have used some 30 Rock witBy Jesse Hassenger March 3, 2016 | 6:00am
Los Angeles gets the Terrence Malick treatment in Knight Of Cups
By A.A. Dowd March 3, 2016 | 6:00am
Trapped looks at how new laws affect abortion providers in the Deep SouthBy Noel Murray March 3, 2016 | 6:00am
Clever subtext often trumps jokes in Disney’s Zootopia
By Jesse Hassenger March 2, 2016 | 5:04pm
Gerard Butler scowls his way through the atrocious London Has Fallen
By Ignatiy Vishnevetsky March 2, 2016 | 5:00pm
Despite its unique setting, Songs My Brothers Taught Me is pretty ordinary
By Mike D'Angelo March 1, 2016 | 6:00am
Pieces embodies the vulgar pleasures of exploitation horrorBy Alex McLevy February 27, 2016 | 6:00am
To thrilling effect, I Knew Her Well never lets us inside its heroine’s head
By Mike D'Angelo February 27, 2016 | 6:00am
No one told Sony that The Mermaid is Stephen Chow’s best movie in years
By Jesse Hassenger February 26, 2016 | 4:30pm
Times have changed, and so, alas, has Crouching Tiger, Hidden Dragon
By Mike D'Angelo February 26, 2016 | 4:07pm
Look on Gods Of Egypt , ye Mighty, and be baffled
By Ignatiy Vishnevetsky February 25, 2016 | 10:26pm
Triple 9 either needed to lose some characters or gain an hourBy A.A. Dowd February 25, 2016 | 6:00am
Don’t miss your chance to see Kurosawa’s masterpiece Ran on the big screen
By Mike D'Angelo February 25, 2016 | 6:00am
Marguerite & Julien is a slag heap of whimsyBy Ignatiy Vishnevetsky February 25, 2016 | 6:00am
Eddie The Eagle slaps a pair of dorky glasses onto a familiar underdog taleBy Katie Rife February 25, 2016 | 6:00am
A Country Called Home sidesteps some clichés, falls flat into othersBy Jesse Hassenger February 25, 2016 | 6:00am
The Studio Ghibli classic Only Yesterday finally gets a U.S. release
By Noel Murray February 25, 2016 | 6:00am
Paul Verhoeven sprints through a farce in the crowdsourced Tricked
By Ignatiy Vishnevetsky February 25, 2016 | 6:00am
The Graduate ’s acidic cringe comedy endures for another generationBy Mike D'Angelo February 20, 2016 | 6:00am
Risen imagines the Gospel as a Roman cop movieBy Ignatiy Vishnevetsky February 18, 2016 | 11:00pm
Race ’s history lessons don’t gather momentumBy Jesse Hassenger February 18, 2016 | 5:00pm
Legalized pot meets the mainstream press in Rolling Papers
By Noel Murray February 18, 2016 | 6:00am
U.S. audiences won’t get much out of the Canadian animated film Snowtime!
By Mike D'Angelo February 18, 2016 | 6:00am
Kiefer and Donald Sutherland join up in the by-the-numbers oater Forsaken
By Mike D'Angelo February 18, 2016 | 6:00am
The 17th-century horror of The Witch is troubling on multiple levels
By A.A. Dowd February 18, 2016 | 6:00am
Embrace Of The Serpent is a head trip that explains itself too muchBy Ignatiy Vishnevetsky February 16, 2016 | 6:00am
Charlie Chaplin’s The Kid hasn’t aged a day
By Ignatiy Vishnevetsky February 13, 2016 | 6:00am
There’s bloody pathos in the resurrected-lover horror of Nina Forever
By Alex McLevy February 11, 2016 | 4:00pm
Two strong performances can’t save the mother-son mopefest Glassland
By Mike D'Angelo February 11, 2016 | 3:00pm
A War is almost too measured in its treatment of military protocolBy Mike D'Angelo February 11, 2016 | 2:00pm
Touched With Fire starts as a love story and turns into a lectureBy Jesse Hassenger February 11, 2016 | 6:00am
Jia Zhangke’s Mountains May Depart looks to the future, and finds the present
By Ignatiy Vishnevetsky February 11, 2016 | 6:00am
Zoolander 2 gets Ben Stiller back in a silly moodBy Jesse Hassenger February 11, 2016 | 6:00am
How To Be Single has a good personality, but it tries too hardBy Katie Rife February 11, 2016 | 6:00am
There’s pointless, and then there’s a scene-for-scene remake of Cabin Fever
By A.A. Dowd February 11, 2016 | 6:00am
Deadpool is a normal comic-book origin story in irreverent dragBy A.A. Dowd February 8, 2016 | 6:00am
Regression backtracks on satanic horror and falls flat on its faceBy Mike D'Angelo February 6, 2016 | 6:00am
Jan Troell’s The Emigrants and The New Land work best as one very long movie
By Mike D'Angelo February 6, 2016 | 6:00am
The Choice is the same damn Nicholas Sparks movie we get every yearBy A.A. Dowd February 4, 2016 | 11:00pm
Southbound puts a twisted contemporary spin on the EC Comics traditionBy Katie Rife February 4, 2016 | 4:19pm
Eisenstein In Guanajuato struggles to bring a film icon to lifeBy Ignatiy Vishnevetsky February 4, 2016 | 3:00pm
Per its title, Misconduct totally wastes Al Pacino and Anthony Hopkins
By Noel Murray February 4, 2016 | 2:00pm
The director of No tackles the Catholic church’s dirtiest secret in The Club
By A.A. Dowd February 4, 2016 | 6:00am
Adding zombies to Pride And Prejudice isn’t inherently scary or funny
By Jesse Hassenger February 4, 2016 | 6:00am
The Coens swipe at religion, counterculture, and Hollywood in Hail, Caesar!
By Ignatiy Vishnevetsky February 4, 2016 | 6:00am
Rebecca Hall and Jason Sudeikis push past the clichés of Tumbledown
By Mike D'Angelo February 4, 2016 | 6:00am
The funny and affecting Rams strikes a rare blow for Icelandic cinema
By Mike D'Angelo February 2, 2016 | 6:00am
For a movie that took forever to come out, Jane Got A Gun feels awfully rushed
By Jesse Hassenger January 29, 2016 | 9:24pm
Fifty Shades Of Black is both half-baked and overripeBy Katie Rife January 29, 2016 | 3:52pm
“Find yourself,” says Kung Fu Panda movie that’s just like the other two
By Ignatiy Vishnevetsky January 28, 2016 | 6:00am
Rabin, The Last Day makes a national tragedy boringBy Mike D'Angelo January 28, 2016 | 6:00am
The Finest Hours tries to mount an old-fashioned rescue movie for the digital 3-D ageBy Jesse Hassenger January 28, 2016 | 6:00am
The man behind Road House debuted with the nutso Jack The Ripper thriller Jack’s Back
By Noel Murray January 27, 2016 | 6:00am
Exposed asks whether it’s possible to yawn for 102 minutes straightBy Ignatiy Vishnevetsky January 26, 2016 | 3:00pm
The sci-fi underdog comedy Lazer Team has enthusiasm, and not much else
By Mike D'Angelo January 26, 2016 | 6:00am
Dirty Grandpa is so tired, it could use a napBy Jesse Hassenger January 22, 2016 | 4:10pm
The 5th Wave is just another post-apocalyptic killer-teen soap operaBy Ignatiy Vishnevetsky January 21, 2016 | 9:15pm
Like its title character, The Boy can’t live up to the real thing
By Katie Rife January 21, 2016 | 5:04pm
The Romanian period piece Aferim! is one part Western, all parts pessimistic
By Mike D'Angelo January 21, 2016 | 4:00pm
Synchronicity goes back to the future of several superior time-travel moviesBy A.A. Dowd January 21, 2016 | 3:00pm
Donnie Yen plays a kung fu grandmaster one more time in Ip Man 3
By Noel Murray January 21, 2016 | 6:00am
The American remake of Martyrs changes the story but lessens the impact
By Alex McLevy January 21, 2016 | 6:00am
Monster Hunt is crude, exhausting, and Chinese cinema’s biggest hitBy Noel Murray January 21, 2016 | 6:00am
Oscar Isaac plays a serial killer in the bizarre, masturbatory Mojave
By Ignatiy Vishnevetsky January 21, 2016 | 6:00am
Spoiler space: Martyrs
By Alex McLevy January 21, 2016 | 6:00am
Bleak Street gets only salaciousness out of a bizarre true storyBy Mike D'Angelo January 19, 2016 | 6:00am
There’s more to Gilda than just an iconic hair flip by Rita Hayworth
By Mike D'Angelo January 16, 2016 | 6:00am
The Italian neorealist classic Bitter Rice is still pulpy, sexy, and angry
By Noel Murray January 16, 2016 | 6:00am
Rob Schneider is somehow the least lazy part of Norm Of The North
By Katie Rife January 14, 2016 | 9:00pm
Intruders never delivers on the promise of its home-invasion scenarioBy Mike D'Angelo January 14, 2016 | 5:00pm
The foreign-aid drama A Perfect Day is mostly just a string of anecdotes
By Mike D'Angelo January 14, 2016 | 4:00pm
Band Of Robbers is a modern day Tom Sawyer with a Wes Anderson twistBy Noel Murray January 14, 2016 | 3:00pm
Richard Gere makes charity chilling, at least for a stretch, in The Benefactor
By A.A. Dowd January 14, 2016 | 6:00am
Moonwalkers wastes a kooky premise on an unfunny farceBy Ignatiy Vishnevetsky January 14, 2016 | 6:00am
French master Philippe Garrel goes light with In The Shadow Of Women
By Ignatiy Vishnevetsky January 14, 2016 | 6:00am
Thanks to some first-rate action, Michael Bay’s 13 Hours only feels 6 hours long
By Ignatiy Vishnevetsky January 14, 2016 | 6:00am
Kevin Hart and Ice Cube’s chemistry is squandered again in Ride Along 2
By Jesse Hassenger January 13, 2016 | 2:00pm
Rosencrantz & Guildenstern Are Dead, but their witty movie lives onBy Noel Murray January 13, 2016 | 6:00am
A Tarantino-approved classic gets vibrant new life in The Complete Lady Snowblood
By Katie Rife January 9, 2016 | 6:00am
The American Friend is a Tom Ripley movie that doesn’t need Tom RipleyBy Mike D'Angelo January 9, 2016 | 6:00am
Natalie Dormer doesn’t cut it as a scream queen in The Forest
By Jesse Hassenger January 8, 2016 | 6:00am
Diablo is an inane homage to better WesternsBy Ignatiy Vishnevetsky January 7, 2016 | 6:00am
The Treasure is an offbeat deadpan gemBy Ignatiy Vishnevetsky January 7, 2016 | 6:00am
Lamb puts an odd, moody spin on a child abduction scenarioBy Noel Murray January 7, 2016 | 6:00am
This tedious Crash -style drama will work like Anesthesia on viewers
By Mike D'Angelo January 7, 2016 | 6:00am
Orson Welles’ late masterpiece Chimes At Midnight is back on the big screen
By Ignatiy Vishnevetsky December 30, 2015 | 6:00am
Charlie Kaufman works his heady magic, this time with puppets, in Anomalisa
By Mike D'Angelo December 30, 2015 | 6:00am
