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In Ahed’s Knee, Nadav Lapid sacrifices political discourse for personal reminiscence By Brent Simon March 18, 2022 | 4:20pm
In Umma, Sandra Oh faces her worst nightmare—becoming her mother By Martin Tsai March 18, 2022 | 1:15pm
With Deep Water, Adrian Lyne resuscitates the erotic thriller as contemplative, campy fun By Todd Gilchrist March 16, 2022 | 4:00pm
Charlotte Gainsbourg's Jane By Charlotte turns home movies into a character study By Todd Gilchrist March 15, 2022 | 6:08pm
Modest gangster thriller The Outfit is perfectly tailored to Oscar winner Mark Rylance By Mark Keizer March 14, 2022 | 5:00pm
Ti West works more genre-manipulating magic with X By Todd Gilchrist March 14, 2022 | 8:00am
Time-travel adventure The Adam Project sends the Free Guy team to middlebrow blandness By Brent Simon March 10, 2022 | 9:35pm
In Gold, Zac Efron tries to polish his serious-actor bona fides By Jordan Hoffman March 9, 2022 | 10:20pm
Turning Red delivers a timely message as it tackles a timeless topic By Martin Tsai March 7, 2022 | 2:00pm
“Meat market” takes on disturbing new meaning in the dating-is-hell thriller Fresh By Katie Rife March 2, 2022 | 1:00pm
Cuts are sharper than expected in the clumsy Palestinian thriller Huda's Salon By Mike D'Angelo March 1, 2022 | 2:00pm
Colin Farrell explores the grief of the future in the beautiful sci-fi drama After Yang By Jesse Hassenger March 1, 2022 | 12:00pm
The Batman is a flawed but striking pop-noir blockbuster By A.A. Dowd February 28, 2022 | 5:00pm
Amy Poehler’s Lucy And Desi is a touching tribute to one of Hollywood’s most influential couples By Noel Murray February 28, 2022 | 12:00pm
A transatlantic comedy crossover is the only thing fresh about A Madea Homecoming By Craig D. Lindsey February 25, 2022 | 6:35pm
A real-life mother and daughter bond over blood magic in the occult horror film Hellbender By Katie Rife February 23, 2022 | 11:00pm
The Cursed is a foggy, sluggish variation on the old-school werewolf movie By Katie Rife February 18, 2022 | 3:20pm
Netflix massacres Texas Chainsaw with a lousy legacy sequel By A.A. Dowd February 18, 2022 | 8:00am
Channing Tatum stars with, and directs, a good Dog By Jesse Hassenger February 17, 2022 | 11:00pm
The future is analog in the charming sci-fi indie Strawberry Mansion By Katie Rife February 16, 2022 | 9:40pm
Netflix's Downfall digs into what really caused the Boeing plane crashes By Noel Murray February 15, 2022 | 9:10pm

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