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• music Trying Times presents James Blake in singer-songwriter mode to mixed results By Grant Sharples March 13, 2026 | 10:00am
• music Remembering my nana through Coco By Grant Sharples March 11, 2026 | 11:00am
• music Kim Gordon’s PLAY ME is a vital anti-AI statement By Grant Sharples March 11, 2026 | 10:30am
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• music Morrissey’s Make-Up Is a Lie is worse than expected By Grant Sharples March 3, 2026 | 10:00am
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• music Jonathan Bernstein on the life and legacy of Justin Townes Earle By Grant Sharples February 26, 2026 | 9:00am
• music Buck Meek’s The Mirror reflects the mysteries of love By Grant Sharples February 25, 2026 | 9:30am
• music Iron & Wine finds solace in the sorrow of Hen’s Teeth By Grant Sharples February 24, 2026 | 11:30am
• music The fictions around Donuts reaffirm J Dilla’s legend By Grant Sharples February 7, 2026 | 11:30am
• music URGH dials up the industrial intensity of Mandy, Indiana By Grant Sharples February 4, 2026 | 12:00pm
• music The Soft Pink Truth stops by the conservatory on Can Such Delightful Times Go on Forever? By Grant Sharples January 29, 2026 | 9:00am
• music Yasmin Williams rewires our understanding of the guitar By Grant Sharples January 26, 2026 | 10:00am
• music Arctic Monkeys’ debut, Whatever People Say I Am, That’s What I’m Not, turns 20 By Grant Sharples January 23, 2026 | 11:00am
• music How Joyce Manor mastered the art of the “buddy” album cover By Grant Sharples January 23, 2026 | 9:00am
• music Secret Love refines Dry Cleaning’s tried-and-true formula By Grant Sharples January 8, 2026 | 9:00am
• music Simon Raymonde on band drama, family stories, and In One Ear: Cocteau Twins, Ivor and Me By Grant Sharples January 5, 2026 | 12:00pm
• music Cover Me: Wet Leg’s moisturizer artwork is animalistic, grotesque, and totally on brand By Grant Sharples December 15, 2025 | 9:00am