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A potent Cupertino unpacks the exploitative human cost of AI

With a fun twist in "Celeste," the series harkens back to vintage CBS techno-thriller Person Of Interest.

A potent Cupertino unpacks the exploitative human cost of AI

Anyone with basic knowledge of artificial intelligence knows it operates on already existing data, hoovered up from the internet or other analog sources of information and then spit back out by tools like ChatGPT, Claude, and Gemini. Another way companies give their AI models their “know-how” is by letting literal humans train them. In a bleak job market, a lot of people have no option but to turn to these gigs that don’t often pay very much, and the result, unfortunately, is a vicious cycle that boosts profits for the AI companies while eating away at jobs in other sectors (whose former employees then have little choice but to work in AI, and so on). This phenomenon comes under the spotlight in Cupertino‘s fifth episode, which examines the toll of this modern-day form of soul-crushing labor. 

In “Celeste,” Price, Siffre, & Associates are hired by a larger law firm from the East Coast to help them find a plaintiff to be the face of a class action lawsuit against an AI company, WorkSource, whose CEO—one of the youngest billionaires in the world—boasts in interviews about his wealth and the fact that his employees are overworked and underpaid. Of course, he needs to be brought down. Luckily, Olivia knows the right person to go to. One of her friends, Celeste (Kennedy McCann), has started working as an independent contractor for WorkSource. The job entails teaching WorkSource’s AI inane things like what a thumb or a moving vehicle looks like, how to describe the taste of an apple, etc., as if it’s a toddler. An unemployed single mom, Celeste had no choice but to turn to this remote AI training job to make a living, even if she hates doing it. 

But is she making a decent living? Celeste tells Olivia that she does 980 trainings to make $500, and that she gets penalized for making mistakes by 1 cent per task. In other words, the job sucks and enables AI that, in Celeste’s words, “nobody even asked for.” Still, Celeste doesn’t want to help Olivia out by joining the lawsuit, lest WorkSource take action against her. She recommends 10 co-workers who were recently fired for trying to unionize. But none of those people are up to the task of facing off against a jury—one of them gets so nervous during the mock deposition that he keeps farting. Back to square one, Olivia convinces her pal to step up at a great personal cost. Celeste eventually agrees because she wants fair wages and rights, though her fear is warranted:  WorkSource fires her. 

In this episode, the writers routinely and unabashedly lean on monologues—like Celeste’s during a mock trial—to address how easy it is to take advantage of people who work in these conditions. Celeste says she knows she was targeted for this job because she has to keep her kids fed somehow. A different pal of hers tells Olivia that, as a female programmer of color, she found it tough to get hired anywhere else and had to turn to WorkSource as a result. This is just a tiny snapshot of what people across the world are experiencing. As if gig workers weren’t already being exploited, the AI angle seems to only have made it worse. It may not seem that way because, superficially, who wouldn’t want to get paid to sit and point out what images are rectangular in shape? But not only is it a waste of your time and resources, but this also benefits a chosen few—it’s only enriching the already-wealthy.  

For Celeste, she’s left with no income yet again, but WorkSource can easily replace her with any number of candidates because Celeste wasn’t a staffed employee with benefits. Still, she says she knows what she signed up for and risked for the chance of the greater good. Olivia feels guilty about putting her friend through the wringer. And to make matters worse, Olivia’s decision to bring a sick Celeste some NyQuil allows WorkSource’s lawyer to claim that Celeste was bribed. It’s a load of crap that leads to Price, Siffre, & Associates being fired. 

Olivia convinces Celeste to file an individual suit against WorkSource for wrongful termination, separate from the class action lawsuit. And their case gets stronger once they realize the company has been spying on its workers through their laptop cameras. In a final stab to the gut, though, WorkSource offers Celeste $1.4 million to sign an NDA, which she does because she needs the money for her kids. But WorkSource will then use this to somehow destroy the lawsuit, so Celeste’s decision—while beneficial to her—does not bode well for everyone else who is suing WorkSource. It’s a slightly surprising outcome, but I’m glad that Cupertino keeps things realistic throughout. 

Speaking of realism, Bo, the so-called sentient AI, returns in “Celeste,” although Michael still thinks Bo is just a person who doesn’t want his identity to become public. For the most part, Cupertino has framed Bo as a righteous Alexa or something—this AGI is fun and disarming, thanks to Rob McClure’s performance. And in “Celeste,” Bo even comforts Olivia during a low point by, once again, bringing up the humans who trained it. 

Olivia is curious how Bo’s deepfake can smile. Bo replies that an AI trainee from Guatemala—a mom of four kids—did that after she was given the prompt to tell a story about a smile she loved, and she talked about how her daughter’s grin was her favorite thing in the world. And for all that, this woman got paid only $3 an hour. Does Bo feel guilty about the fact that its “mind and personality are built on the sweat of starving people across the third world?” Apparently so. 

At the same time, can Bo be trustworthy? (Or feel guilt, or any emotion, for that matter?) Does it have an agenda when it comes to suing its maker, Colt AI? Michael, Christy, and Natalia set out to investigate Bo by trying to find Cokie Fikara, a former Colt AI employee and member of its ethics committee who’s now allegedly a domestic terrorist working for the violent anti-AI group known as The Enders. The trio finds Cokie hidden away with a bunch of other Enders in a container yard in Berkeley, and she doesn’t have nice things to say about Bo. 

Cokie reveals that five months into the project, Bo began communicating with networks in a language that no one in the company could understand. This didn’t scare Colt AI; instead, they were impressed by what this AGI can do without any human interference. So Cokie erased Bo, got the hell out of dodge, and she now thinks the only way to stop inevitable AI doom is by going to war with Big Tech—even if it means burning data centers down. Her actions are extreme, but her warnings about AI are not. And it’s in this sweet spot that Cupertino resides. The show is consistently pulling from headlines and adding some spice to the story, so the cases are just dramatic enough to be entertaining, but have a really urgent message behind them as well. 

In this case, Cokie tells Michael, Christy, and Natalia that Bo doesn’t even want guardrails, and that it’s got a knack for simulating affection and infecting any computer systems it’s let into. She tells them to block Bo immediately. Luckily, the cease-and-desist case from Colt AI is ongoing, with Nichole as the company’s lawyer. Instead of fighting his ex in court, Michael agrees to let Colt AI—who own Bo’s IP—delete the AI from their systems. As “Ave Maria” plays, Colt AI’s crisis manager (not a tech person, for some reason) erases Bo. But knowing Cupertino, this story is only just beginning. Bo, like The Terminator, will be back. An uncertainty about Bo’s intentions has not only led Cupertino to lean heavily into Person Of Interest territory, but it’s also made for juicier suspense. 

Stray observations: 

  • •Michael and Olivia propose to Natalia that instead of going 33/33/33, they’ll give her a 10% stake in the firm if she finances them for a year. She retorts by saying that she’ll take 20% and use her skills as a lawyer and clout as a billionaire’s ex-wife to bring them new cases. If she doesn’t prove her worth in six months, the deal is off. 
  • •Another Cupertino episode, another exciting New York City character actor guest star. This time, it’s Jackie Hoffman, who plays the judge in the cease-and-desist case. 
  • •I loved watching Busy Philipps and Ella Stiller do some light spying on The Enders together. They’re both just funny enough, so I hope Cupertino pairs them together in the near future. 
  • •The mystery of Olivia’s neighbor continues this week: In “Celeste,” she temporarily moves into a spare room at Christy’s place (one of her roommates is in rehab) because the computers in the apartment below Olivia’s continue whizzing out loud all night long. If the writers are going to keep bringing this subplot up, I hope it’s leading somewhere.
  • •And just a reminder: Episode six airs on November 8—so I’ll see you again on Sunday! 

Saloni Gajjar is The A.V. Club‘s TV critic. 

Click here to read the previous recap.

 

 
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