C-

The mountain may be high in Fall 2: Deadpoint, but keep expectations low

An underwhelming sequel to the enjoyably focused thriller Fall simply doesn't have high enough highs to compete.

The mountain may be high in Fall 2: Deadpoint, but keep expectations low

The plot of the underwhelming mountain-climbing thriller Fall 2: Deadpoint takes a turn partway through, and it’s the kind of twist that you might hope for if you’ve so far been sidetracked by its watery characterizations and bland dialogue. Plot might not seem to matter in this kind of movie, a fitfully compelling sequel to the thrilling 2022 survival horror pic, this time following an ill-fated expedition up Mount Kwan in Thailand. But then again, so much of the first half of Fall 2: Deadpoint concerns the insubstantial ties that bind its odd couple co-stars, the anxiety-prone Jax (Harriet Slater) and the implacable Luce (Arsema Thomas), that you’ll probably welcome the gonzo twist that completely changes how we see one of these two protagonists. 

It’s too bad that revelation not only doesn’t change how Jax and Luce relate to each other, but also doesn’t add much to this adrenaline-fueled entertainment. There are some fun and appropriately dizzying climbing sequences, but even they don’t become scary or tense enough until after the first of two major turning points. Much of Fall 2: Deadpoint is rushed, from its uneven scene-to-scene pacing to its flat line-readings. So much time is wasted teasing, without necessarily developing, potentially enlivening subplots—including a couple of references to surrounding political unrest, as well as flashbacks to Jax’s relationship with her sister Shiloh (Virginia Gardner), who died while attempting a climbing stunt in the first Fall. Instead, we get a story about two characters who, based on their sketchy personalities—Jax looks haunted and motion-sick even before they reach the mountain, while Luce never says die—would likely hate each other in real life. 

We ostensibly learn everything we need to know about what motivates Jax and Luce through a uniformly dull mix of declamatory and expository dialogue. United by their shared desire to face their fears—of what though?—and honor Shiloh’s memory by completing the next item on her bucket list, Jax and Luce scale Mount Kwan’s rickety wooden Plank Walk bridge, a thousand feet off the ground and about a foot wide. 

Jax wants to reconcile with her dead sister’s memory while Luce wants to follow Shiloh’s inspirational example. They hire sketchy local guide John (Tom Brittney) to help them up the mountain, and he agrees despite multiple establishing scenes that suggest Jax isn’t emotionally prepared for this climb. Nevertheless, because the plot must progress, co-writers/series co-creators Jonathan Frank and Scott Mann force our two heroines and their Byronic sherpa into situations that are only unforeseeable if you ignore every warning sign leading up to them. 

Unfortunately, directing duo Michael and Peter Spierig (Daybreakers, Jigsaw) rarely slow down long enough to let viewers enjoy watching Jax and Luce problem-solve their way to safety. It’s also too easy to get distracted by the movie’s frequent use of cheap-looking computer graphics to simulate everything from earthquakes to unsteady bridge supports. At least Fall was focused, both in terms of its central location (an isolated TV broadcasting tower in the desert) and the perpetually escalating logistical challenges it posed.

It’s hard to not feel cheated by a wildly uneven encore like Fall 2: Deadpoint given how much time is wasted on setting up characters who don’t seem to matter given the slapdash presentation of various first-take reaction shots and dialogue scenes. There are brief and memorably tense handheld shots of the forest valley beneath Jax and Luce’s feet, and a couple of the climbing scenes are effectively nerve-wracking, but there’s also not enough time spent on the eerie sights and sounds of Mount Kwan, from its gently rustling chains to its groaning wooden planks.

Fall 2: Deadpoint does admittedly become more tense once the characters inevitably find themselves in even more dire straits, but even then the Spierigs still don’t do enough to exploit the film’s pair of pulpy twists. Even at its most deliriously pulpy, this potboiler never pulls together its various crowd-pleasing elements to form either a satisfyingly cogent or gleefully berserk melodrama. As a result, Fall 2: Deadpoint often feels like a speedrun through a tense and absorbing scenario that keeps getting interrupted by tedious and unconvincing scenes. By the loopy finale, you’ll wish that the filmmakers had either put more effort into developing their characters or just more honestly treated them like the cyphers that they are, and made them better vehicles for circumstantial peril. As it is, this thankless sequel’s highs simply aren’t high enough.

Director: Peter Spierig, Michael Spierig
Writer: Scott Mann, Jonathan Frank
Starring: Harriet Slater, Arsema Thomas
Release Date: September 2, 2026

 
Join the discussion...
Keep scrolling for more great stories.