Hostel: Part II
To dismiss the Hostel movies as thoughtless "torture porn" of the Saw variety doesn't do justice to the sophistication behind them, even if that sophistication is undermined on occasion by dumb juvenilia. The first Hostel, though rough around the edges, spoke to the very real anxieties of Americans in a post-9/11 world; no longer was the world a playground for frat guys and bad behavior overseas could result in a little blowback. Though he might have just offered another slab of young backpackers (women this time) to deepest Slovakia, writer-director Eli Roth changes the metaphor in Hostel: Part II by focusing almost as much on the torturers as the tortured. Because these victims are sold off to the highest bidder, the film literally considers the cost of human life and the power of money to afford experiences that are supposed to be priceless. It's also, in its sick, sick way, a real crowd-pleaser.