If you only watch one episode of Four Weddings And A Funeral, make it this one

The latest episode of Hulu’s Four Weddings And A Funeral, “Game Night,” features one of the series’ eponymous weddings, but it’s not the church-set, bride-walking-down-the-aisle nuptials we’re used to seeing on this show or even anywhere else on television. It’s a Muslim wedding, or as it’s called in Arabic, a nikah. The hall is adorned with glowing lights and blooming flowers and the attendees don their best traditional clothes, the buffet is packed with Desi (stemming from South Asian regions) delectables, and pleasingly soft sitar music rounds out the scene.
It’s the wedding of Basheer and Fatima, two friends of our leading hero Kashiv “Kash” Khan (Indian Summers’ Nikesh Patel). The ceremony also sets the stage for a key moment of progression in Kash’s forbidden romance with Maya (Game Of Thrones’ Nathalie Emmanuel), the best friend of the woman he left at the altar many months ago. It’s the real reason “Game Night” is a noteworthy outing: In a rare instance on a U.S. TV series, the South Asian male lead’s culture plays an integral role in advancing his principal story. The deep dive into Kash’s family, faith, and heritage, in particular, is what distinguishes Four Weddings from its genre compatriots. Created by self-avowed romantic-comedy fan Mindy Kaling and Matt Warburton, the show is loosely based on the 1994 big screen hit. Although also set in London, the Hulu comedy-drama veers considerably from the original, starting with a diverse cast that also includes Brandon Mychal Smith, Rebecca Rittenhouse, John Reynolds, Guz Khan, Rakhee Thakrar, Harish Patel, Zoe Boyle, and Nathan Stewart-Jarrett.
At its best, Four Weddings is a mix of some unexpectedly warm romances and friendships—a breezy binge that’s garnered goodwill due in part to its creators, but also the charming performances of Smith, Rittenhouse, Patel, and Emmanuel. At its worst, the show flies past real-life mechanisms to enter an alternate universe in which these characters aren’t plagued with pragmatic problems. Maya is a progressive speechwriter who moves to London and immediately finds a job working for a conservative Minister, work visa issues be damned. Her BFF and Kash’s ex Ainsley Howard (Rittenhouse) is cut off by her rich mother early on but continues to live in a fancy townhouse and runs an interior design store whose only customer seems to be the affluent Bryce (Dermot Mulroney). The problems these characters go through besides their love lives are barely addressed, making it easy and at times justifiable to pick apart this glossy little world of Four Weddings. It’s all starry-eyed material that would rather use Brexit as a punchline than an actual political arc even if Maya works with the government.
What does keep the miniseries grounded and the audience emotionally invested is the realistic portrayal of Kash and his British-Pakistani immigrant family. Patel’s casting as the object of affection is momentous because the show doesn’t treat his ethnicity as a barrier, but revels in its glory. Kash’s interactions with his endearing immigrant father Haroon (Indian actor Harish Patel aces this role), mischievous younger brother Asif (Krrish Patel), and loud best friend Basheer (Khan) breathe fresh life into the show. These small but pivotal moments of representation elevate Kash’s family’s story from being a basic subplot. I cackled watching “Kash With A K,” when Haroon wants to watch the three-hour Bollywood movie Lagaan to unwind, and in “Game Night” when, over the Desi dessert laddoos, he discusses Kash’s wealthy income with another Pakistani dad whose son sold a comic book to Marvel. Kash is a well-developed character, whose diasporic lifestyle is fleshed out without it necessarily defining him. He’s a conflicted man unaware of parts of his own identity, grasping at the few things in his life he can control, whether it’s his career or relationships.