Luv

The indie drama Luv is split right down the middle between preposterousness and truth, and between amateurishness and confidence. Writer-director Sheldon Candis and his co-writer Justin Wilson have come up with a story that’s distractingly contrived, about a recently released ex-con (played by Common) who spends a day showing his pre-teen nephew (Michael Rainey, Jr.) “how to be a man,” by letting the kid tag along while he works every angle he can think of to come up with the money he needs to open a restaurant. Criminal connections aside, Common’s character seems like a reasonable, intelligent guy, and Candis and Wilson never make it plausible that this uncle would drag his nephew along to places where there are drugs and guns. Rainey is only there to spur the plot along, and to bear witness to how a slanted economy and a culture of macho posturing have squandered the talents of bright young men. Making matters worse, Candis and Wilson sandbag their actors with dialogue that’s a mix of dull exposition and pulp clichés, and rarely natural-sounding or colorful.