Matt Murdock takes control of his tail-spinning life in Daredevil #16

Zdarsky writes a great Matt, but Wilson Fisk is the most compelling character in this series. Zdarsky takes advantage of his position as New York City mayor to push the villain into new situations that test him in different ways than his previous life as a crime boss. The legalization of cannabis is a major plot point as Fisk looks for ways to gain political power, but he’s quickly learning that he’s a small fish in a big pond full of bloodthirsty predators. Recent issues have had Fisk clash with the billionaires who directly influence policy, attacking him with insults and endless condescension until he eventually snaps and kills one of them in a bathroom. That murder is a genuinely shocking cliffhanger, and the consequences for Fisk have been huge. Fisk is currently in a hospital bed after getting thrown out of a window, and when Matt shows up to grill him about recent events in Hell’s Kitchen, Fisk laughs in his face, realizing that he doesn’t have to be worried about killing this man anymore. “Your sickness over twenty blocks by four will kill you!” Fisk shouts. “Hell’s Kitchen will kill you!”

Artist Jorge Fornés returns to the series after making a big impression with issue #10, and he’s totally in sync with Zdarsky’s storytelling, bringing emotional depth to character interactions, presenting action with forceful swiftness, and lovingly drawing the Hell’s Kitchen environment with thick inks that gives this world weight. He draws a very sexy Matt lounging around in his signature tighty-whities, and it’s always refreshing to read a superhero book that leans into beefcake, which is something readers can expect from a Zdarsky series. Fornés is a more subtle storyteller than main Daredevil artist, Marco Checchetto, who leans into superhero grandiosity, even when working on street-level characters like Daredevil and Punisher. Fornés was recently thrust into the big leagues as one of the artists on the tail-end of Tom King’s Batman run, accelerating his already rapid evolution as a visual storyteller and giving him a familiarity with gritty urban environments that elevates his Daredevil art.

Jordie Bellaire colored Fornés’ first Daredevil issue, using flat colors that made Fornés’ inks the primary source of definition. Nolan Woodard’s coloring is significantly more rendered, and he does impressive work depicting different textures and how figures interact with light sources. Woodard makes strong palette choices throughout the issue: Matt and Elektra’s morning after is colored a gentle, romantic violet, which becomes a more heated neon pink when they team up to break into a massive data server. The scene of Matt listening to the neighborhood is backed by a fiery sunset, evoking hellish imagery as Matt talks about getting closer to God in this moment.

Julian Totino Tedesco is one of the best cover artists in the industry, creating images that set the emotional tone for the issue’s story with unconventional compositions and bold graphic elements. His covers for the “Through Hell” arc have been particularly striking, illuminating the arc’s central themes of falling into bad habits, finding common ground with old enemies, and rediscovering a superhero spirit. Issue #13’s cover of a blood-spattered Wilson Fisk is a chilling depiction of the moment when fear sets in after a deadly rage. The application of the blood has a glitchy quality, adding to the unsettling atmosphere and emphasizing that Fisk’s killer instinct took over a brain reprogrammed for civility in tense situations.

Twitter, and comparing these to the final image shows the impact of imaginative framing. The sketches are zoomed out to full show Matt and Cole sitting together, but the final image is a close-up of the table-top, identifying the two men only by their hands and their accessories. Totino creates tension by contrasting Coles’ clean hands and police badge with Matt’s bloodied fists and batons, and even though there aren’t any faces, it’s clear what the emotional conflict is here.

Last month’s issue featured a cover of Matt and Elektra leaping into action together, but they’re in a very different position for this week’s Daredevil #16 cover. Holding each other in a cloud of covers, Matt and Elektra exude intense intimacy, but all around them are indicators of the violence that fuels this sexual attraction: they are surrounded by their weapons, the floral wallpaper has little shurikens integrated into the pattern, and the image itself is covered in little slash marks. The tenderness exists between these two lovers is a product of shared brutality, and being with Elektra puts Matt at odds with the righteousness he’s trying to achieve.

In the short-term, Elektra helps Matt regain control of his physical power, as evidenced by the scene of Matt beating down ninja security guards while Elektra hacks a server. Woodard tones down the rendering here because much of the scene is presented in silhouette, and he punctuates specific action beats with pops of red when Matt taps into his radar sense. Matt tells himself that he’s in control, but this is just another mistake he’s making. The real control is in Elektra’s hands. She uses him to steal a billion dollars for herself, and when Matt storms out of her place in anger, Elektra writes his real name on the mirror. She had her memory wiped of Daredevil’s civilian identity just like everyone else, removing an essential aspect of her relationship with him. Now that deeper connection is back, introducing fresh complications for a hero already struggling to keep it together in the face of endless tribulations.

 

Join the discussion...