No, you weren’t dreaming that Wheel Of Time pilot that was on at 1 a.m.
Slapdash adaptations made quickly and cheaply to retain the rights to a story or character are not unheard of. The A.V. Club’s Ignatiy Vishnevetsky wrote an Inventory about the phenomenon a couple of months back, and Sony’s desire to hang on to the character is part of the reason why Spider-Man has to go back to high school every few years.
The newest piece of intellectual property to receive this less-than-dignified treatment is the Wheel Of Time series, Robert Jordan’s 14-volume series of fantasy novels. Since the first book in the series, The Eye Of The World, was published in 1990, the the Wheel Of Time books have sold more than 44 million copies worldwide and spawned a video game, role-playing game, and several comic books. And now that Game Of Thrones has broken through to the mainstream, the cultural climate has never been friendlier to big-budget fantasy adaptations, as different as the series that inspired them may be.
So why did the Wheel Of Time TV pilot, Winter Dragon, air once this past Monday, with no advertising or fanfare, at 1:30 a.m. on FXX during a paid programming time slot? Probably because Red Dragon Entertainment would lose the rights to the Wheel Of Time series if it didn’t get something together by February 11:
Before his death in 2006, Jordan, née James O. Rigney, apparently made a deal optioning the film and TV rights to The Wheel Of Time to Red Eagle Entertainment. In 2008, Red Eagle then turned around and sold the rights to Universal, with the stipulation that the rights would revert to Jordan’s estate if a TV pilot were not produced by—you guessed it—February 11, 2015.
So with Red Eagle about to lose the rights to the series, a pilot starring Billy Zane was hastily assembled and even more hastily shot (22 script pages were apparently filmed in one day), going from preproduction to being ready to air between January 15 and February 4. By all accounts the pilot is cheap looking, simplistically shot, takes place mostly in one room, and covers only the prologue to the first book in the series. Director James Seda, who died in a car crash shortly after the production wrapped, expressed his relief that the rush job had been completed in what would end up being his last tweet: