October 2010

Comedy has gotten much more democratic over the years: It’s no longer limited to guys in clubs or major-network TV shows. With a bit of free time and minimal iMovie know-how, everyone from budding young comics to name-brand stars can carve out some Internet space for their sense of humor. At the same time, traditional outlets like comedy CDs and DVDs are growing in breadth with the art form itself. It’s a great time to be a comedy fan, and Laugh Track, The A.V. Club’s monthly comedy column, will round it all up—new and noteworthy stand-up, sketch, and online video, much of it courtesy of under-the-radar comedians with a little too much time on their hands.
CD: Snakes, Network Takeover
Billy Scafuri and Adam Lustick wear their pop-culture influences on their sleeves. Members of the vaunted New York sketch group Harvard Sailing Team, Scafuri and Lustick broke off and formed the duo Snakes. They’ve done a few video sketches—containing the twists and turns of a Harvard Sailing Team piece—but their latest is a full-blown hip-hop album, Network Takeover. The beats sample such nostalgia-laden songs as the late-’90s NBA intro music, The Fresh Prince Of Bel-Air, and Rockapella’s rendition of “Where In The World Is Carmen Sandiego?,” and the words follow suit. On “Bulls Vs. Knicks,” Scafuri and Lustick remember the days of Michael Jordan, Chris Webber, Patrick Ewing, and a pre-sex-scandal Marv Albert. “I’m In Love With Larry David,” prominently featuring the Curb Your Enthusiasm theme, skews more modern by having them confess feelings for the “weird grumpy Jew sea urchin.” The tracks not obsessed with pop culture skew toward playful and uncomfortable humor. “Move To The Garage” is a letter to a live-in girlfriend invading the guys’ personal space. (“Now you’ve got your own space / A space where the car goes / Now you’ve got a vroom mate.”) And all you need to know about “Hip Hop Body” is the line, “You’re makin’ me wanna wack off in this bedroom.” The catchy lyrics and unexpected musical cues keep Snakes from becoming yet another Lonely Island novelty act. Network Takeover serves as a celebration of the arcade-fueled days that guided Scafuri and Lustick’s senses of humor.
You can download the whole thing here for whatever price you want. Check out this one track, though, that was made in collaboration with comedians Tom McCaffrey and Chloe Wepper, “Top Dolla (My Dad’s A Proctologist)”:
CD: Tom McCaffrey (TMC), Get Rich Or Move Back In With My Dad
And while on the subject of Tom McCaffrey… last month found plenty of comedians throwing themselves into the rap arena—most thanks to Tom McCaffrey and his debut album. Good hip-hop tracks need collaborators, and Get Rich Or Move Back In With My Dad features appearances by Snakes, Hannibal Buress, Joe DeRosa, Rob Cantrell, Carolyn Castiglia, and Aisha Tyler, among many others. McCaffrey enlists them to help tackle worn comedy topics, creating songs about hack stand-up material, working as a headliner, and a lack of cash. McCaffrey is clever and well-versed in comedy, packing a track about joke-stealing with names and pertinent bits. (“I robbed Jim Gaffigan of his last Hot Pocket”; “Ripped the tattoos off Janeane Garofalo,” courtesy of Castiglia) He’s also managed to mock rap from the inside—Get Rich is rife with inflated grandeur and jokes about how sampling “Wonderwall” automatically makes a song a hit. The album kicks off with a wink to Joaquin Phoenix’s big faux-announcement that he was quitting acting to become a rapper: McCaffrey’s doing something similar, he quips, but no matter how true it is, there’s no denying his rapid-fire wit fits hip-hop quite well. And the other comics seem to enjoy their bout with the form, too.
Here’s “I’m A Headliner,” featuring an awesome interlude by Hannibal Buress:
Sketch: My Mans
Online, sketch comedy, especially sketch that originated on the stage, can be a tricky thing. Watching through a tiny computer window almost always mitigates the immediacy and danger of live performance. Thankfully, My Mans, a Chicago-based sketch duo, loses almost nothing in its transition from stage to screen. Its independently made TV pilot, a highlight of the 2010 New York TV Festival, contains all the whimsy and mischievousness that made the live show so compelling. There are outbursts of “Bad To The Bone,” a comical fistfight on rollerblades, a riff on ridiculous spoiler alerts, and tributes to uplifting ’80s movies. It sounds random, but it’s about as random as an episode of Mr. Show. Which is to say, okay, yes it’s random, but tiny details (like the seemingly disposable phone conversation that kicks it off) neatly tie the loose plot together by the end.
Here’s the full 17-minute My Mans pilot, along with some standalone sketches that demonstrate My Mans’ potential: