R.I.P. Efrem Zimbalist Jr., star of The F.B.I. and 77 Sunset Strip

The actor Efrem Zimbalist Jr. has died at the age of 95. Zimbalist was perhaps best remembered as the star of the TV series The F.B.I., a Quinn Martin Production that ran on ABC from 1965 to 1974. With his large frame, solid profile, and off-screen image as a conservative Republican, Zimbalist was one of the last actors to unironically embody the Agency-approved stereotype of the G-man as rock-ribbed, all-American guy, a quarterback for justice whose efficiency, incorruptibility, and patriotism more than made up for anything he may have lacked in hipness and personality.
He also had the distinction of being one of the last people to do so while J. Edgar Hoover was still alive and running the Bureau, and to receive coaching from the director and win his personal seal of approval. (The longest-running of Quinn Martin’s many detective series, The F.B.I. outlived Hoover by just two years.) An outspoken fan of Hoover’s, Zimbalist took great pride in having aced his background check and introductory interview with him, and maintained a relationship with the FBI after the show had run its course by appearing at FBI functions and charity events and in recruiting videos. In 2009, FBI Director Robert Mueller presented Zimbalist with an “honorary special agent” badge and called his TV character, Inspector Lewis Erskine, “the standard-bearer for the FBI in the public imagination.”
Zimbalist’s father was a renowned violinist, and his mother was the opera singer Alma Gluck. In the 1940s and early 1950s, Zimbalist acted onstage, making his Broadway debut in 1946 in The Rugged Path with Spencer Tracy; produced three operas by Gian Carlo Menotti; worked at the Curtis Institute of Music, which was founded by his stepmother, Mary Louise Curtis Bok; made his movie debut in Joseph L. Mankiewicz’s House Of Strangers (1949); and appeared on TV in the soap opera Concerning Miss Marlowe. In 1956, he was signed to Warner Bros., though movie stardom never seemed to materialize—even as he had prominent roles in some big pictures, including Raoul Walsh’s Band Of Angels (1957) and the Jean Simmons vehicle Home Before Dark (1958).