Ariana Grande has had a rough few years, starting with the tragic 2017 Manchester Arena bombing after her concert there…
Despite his Grammy nods and Mercury Prizes, his high-profile collaborations with glitterati, James Blake is not so much…
Sharon Van Etten’s transformative fifth studio album, Remind Me Tomorrow, kicks off with a lyrical sucker punch:…
The conceit of Deerhunter’s eighth full-length, Why Hasn’t Everything Already Disappeared?, is that it’s a…
Lil Wayne’s long-delayed Tha Carter V has enough highlights to carry it through, while metal vets High On Fire offer…
Of course Cher pulls off the ABBA tribute Dancing Queen. Elsewhere BROCKHAMPTON continues to reveal new shades on Irides…
In 2016, Noname made waves when she debuted with Telefone, a vivid, soulful collection of jazz-rap establishing her …
Although the film’s aesthetic owes just as much to bad-trip ’70s psychedelia, the phrase you’ll hear most often when…
Low goes fully experimental on Double Negative, while Philly’s Spirit Of The Beehive gains focus on Hypnic Jerks, and…
Spiritualized leaves us (maybe, but probably not) with the essential And Nothing Hurt, while Chilly Gonzales’ Solo Piano…
Ariana Grande illustrates once again that she is an unparalleled pop chameleon on Sweetener, while KIN splits the…
Nicki Minaj reaches for the throne room, Animal Collective unearths an interesting live artifact, Death Cab do more…
Mitski makes music about inexpressible emotions—urgent, intimate dispatches that seem to come from her very soul. At…
Foxing reaches for the skies on its biggest and best record, country singer Shooter Jennings fires off a spotty but…
YG stays dangerous, while Helena Hauff’s Qualm is her rawest collection to date, and The Nature Of Imitation is a…
In this week’s notable new releases: Hive Mind is a step forward for The Internet, while Devouring Radiant Light…
Dirty Projectors’ Lamp Lit Prose calls to mind the band’s late-’00s peak, while Deafheaven reach higher on album No. 4,…
In this week’s notable releases, Byen finds nü-disco fixture Bjørn Torske blending more ambient textures into his…
The worst thing that ever happened to Drake was becoming a great rapper. He was always good—funny, direct, emotive—but…
Florence + The Machine open up old wounds (and stick to old sounds) on High As Hope, while both Gorillaz’s The Now Now…
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