Melody’s Echo Chamber, Rolling Blackouts CF, and more albums to know about this week

Melody’s Echo Chamber pushes its warped psych pop to new lands on Bon Voyage, while Rolling Blackouts Coastal Fever debuts with the dreamy, mature Hope Downs, and Chromeo strikes the right balance on fifth LP Head Over Heels. These, plus Immersion and The English Beat in this week’s notable new releases.

Lykke Li, Zeal & Ardor, and more albums to know about this week

Zeal & Ardor forges an exhilarating new sound on second LP Stranger Fruit; Lykke Li turns inward on the hit-or-miss So Sad So Sexy; and bedroom pop gets a hi-fi makeover on Snail Mail’s full-length debut, Lush. These, plus Angélique Kidjo and Lily Allen in this week’s notable new releases.

Father John Misty, LUMP, The Dreebs, and more albums to know about this week

Father John Misty reaches the apex of hopelessness on God’s Favorite Customer, while Laura Marling and Mike Lindsay (Tunng) embrace the surreal on LUMP, and New York no-wavers The Dreebs take pleasure in the claustrophobic on Forest Of A Crew. These, plus catching up with A$AP Rocky’s recent Testing in this week’s…

Oneohtrix Point Never goes pop, then obliterates it on the excellent Age Of

There are harpsichords all over Age Of, electronic composer Daniel Lopatin’s eighth studio album as Oneohtrix Point Never. It’s an instrument that Lopatin derides in press materials as a “perfectly dumb machine”—one that always reverberates the same, no matter how you strike the keys. That sound, reminiscent of…

The bracing, brilliant Daytona is uncut Pusha T

Pusha T came out of the gate fully evolved. He kicks off the intro to Clipse’s Lord Willin’, released in 2002, talking shit and pushing weight—“Playas we ain’t the same, I’m into ’caine and guns”—a statement of purpose from which he never wavered. He was 25. Over Clipse’s ensuing mixtapes and albums, he and brother…

Parquet Courts, Stephen Malkmus, and more albums to know about this week

Brooklyn quartet Parquet Courts harness their collective voice on Wide Awake!, while Stephen Malkmus & The Jicks reveal a little more of themselves on Sparkle Hard, and OOOOO & Islamiq Grrrls join forces for the intoxicating Faminine Mystique. These, plus GAS and Low Cut Connie in this week’s notable new releases.

Courtney Barnett lacks the energy to Tell Me How You Really Feel

Courtney Barnett’s debut full-length, 2015’s Sometimes I Sit And Think, And Sometimes I Just Sit, established the Australian indie-rocker as a potent musical force. With its tumbling guitars, ragged vocals, and grunge-punk tones—all of which coalesced on the scorching, sassy “Pedestrian At Best”—the album exceeded the…


Rae Sremmurd’s SR3MM instantly enters the triple-album pantheon

A triple LP always says something. If you’re George Harrison, whose 23-track debut All Things Must Pass set a gold standard for Beatles solo records, it says, “Those fuckers should’ve let me write more.” If you’re The Clash, whose 1980 triple-set Sandinista! came just a year after its breakout double-LP London Calling…

Jon Hopkins, DJ Koze, and more albums to know about this week

Ambient techno master Jon Hopkins balances dance-floor euphoria with armchair contemplation on Singularity, while German producer DJ Koze’s excellent Knock Knock feels like a day spent in paradise, and the Fiery Furnaces sound creeps back in on Eleanor Friedberger’s fourth solo LP, Rebound. These, plus Belly, Iceage,…

A Perfect Circle, Sting & Shaggy, and more albums to know about this week

A Perfect Circle’s belated Eat The Elephant is more whimper than bang, while the Melvins’ acid-drenched Pinkus Abortion Technician doubles the bass, and Exitmusic dissolves with the exhausting but honest The Recognitions. These, plus Sting & Shaggy and Alexis Taylor in this week’s notable new releases.

Manic Street Preachers, A Place To Bury Strangers, and more albums to know about this week

Manic Street Preachers live up to lofty pop touchstones on Resistance Is Futile, while Pinned doesn’t quite pack the punch of prior A Place To Bury Strangers releases. These, plus Rival Consoles and the debut solo album of Spinal Tap bassist Derek Smalls in this week’s notable new releases.